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Published online by Cambridge University Press: 05 February 2010
Larry Starr's analysis of Charles Ives's ‘The Cage’, in his book A Union of Diversities, contrasts with most readings of the song in that he focuses on how the points of congruence between the highly dissimilar vocal and piano parts form a ‘powerful unity’. However, he provides no specific analytical method for examining this unity more closely. This study offers one such method for ‘The Cage’, revealing a path within a virtual, bounded space that correlates with some of the syntactic and semantic aspects of the song's text. These syntactic correlations also hold true in a similar passage in Ives's song ‘Majority’.