Death not only robbed Anthony Pople of more than two decades from his three score years and ten; it robbed a community dedicated to the study and promotion of western classical music, especially twentieth-century music, of one of its leading lights. Pople was a prolific thinker and doer, and quite a bit of his legacy is in the form of influence, as a teacher, of course, but also as an imaginative person of action who gave of his time and expertise in all sorts of ways – on committees, as an editor, examiner, adviser, studio producer – and, let us not forget, as a most gifted composer and performer of music. There is also the black-line legacy. His writings show, consistently, his rare talent for both clarity and depth of thought. I think he was one of those authors who wanted every piece to be special, shunning the routine as well as the speculative: and if that sentiment might remind us of the composer Alban Berg, it is no accident.