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Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).

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Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).

Published online by Cambridge University Press:  23 September 2022

Gabrielle Cornish
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Twentieth-Century Music , Volume 19 , Special Issue 3: Listening In: Musical Digital Communities in Public and Private , October 2022 , pp. 537 - 541
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Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 Evans, Christine, Between Truth and Time: A History of Soviet Central Television (New Haven, CT: Yale University Press, 2016)CrossRefGoogle Scholar; Klumbytė, Neringa and Sharafutdinova, Gulnaz, eds., Soviet Society in the Era of Late Socialism, 1964–1985 (Lanham, MD: Lexington Books, 2013)Google Scholar; Fürst, Juliane, Flowers through Concrete: Explorations in Soviet Hippieland (Oxford: Oxford University Press, 2021)CrossRefGoogle Scholar.

2 For more on this phenomenon and the transformation of Soviet media after Stalin, see Roth-Ey, Kristin, Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War (Ithaca, NY: Cornell University Press, 2011)Google Scholar.

3 Schmelz, Peter, Such Freedom, If Only Musical: Unofficial Soviet Music during the Thaw (Oxford: Oxford University Press, 2009)CrossRefGoogle Scholar.

4 Schmelz, Peter J., ‘Valentin Silvestrov and the Echoes of Music History’, The Journal of Musicology 31/2 (2014), 231–71CrossRefGoogle Scholar.