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Published online by Cambridge University Press: 14 March 2016
1 See, for example, Weidman, Amanda, Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India (Durham, NC: Duke University Press, 2006)CrossRefGoogle Scholar; Stokes, Martin, The Republic of Love: Cultural Intimacy in Turkish Popular Music (Chicago: University of Chicago Press, 2010)CrossRefGoogle Scholar; Schwartz, Jessica A., ‘A “Voice to Sing”: Rongelapese Musical Activism and the Production of Nuclear Knowledge’, Music & Politics 6/1 (2010), 1–21Google Scholar.
2 Killick, Andrew, In Search of Korean Traditional Opera: Discourses of Ch'anggūk (Honolulu: University of Hawai'i, 2010)CrossRefGoogle Scholar; Pilzer, Joshua D., Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese ‘Comfort Women’ (New York: Oxford University Press, 2012)Google Scholar.