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Music and Socialism: Three Moments

Published online by Cambridge University Press:  15 March 2019

ERIC DROTT
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Abstract

This article asks how we might map the complex relations between music and socialism. If an abiding concern of socialism is the collective appropriation of the means of production, what are the points at which music might participate in this project? Three moments from the history of music's entanglements with socialism shed light on this question. The first considers music's role in workers’ struggles in Europe c. 1900. Here what is at stake is how music and musical associations (most notably workers’ choruses) were mobilized as a tool in the struggle to socialize the means of production. A second vignette turns to France after May 1968, when music itself became a site of political intervention. Here what is at stake is the struggle to socialize the means of musical production, part of the struggle to institute a truly democratic culture. The third vignette turns its attentions to the proximate future, considering music's place in emerging forms of digital capitalism. Crucial in this regard is the way music is being transformed into a means of production in its own right – a means, that is, of producing the kinds of subjects required by contemporary capitalism – as well as the political constraints and possibilities these shifts present for a socialism of the future.

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Articles
Information
Twentieth-Century Music , Volume 16 , Special Issue 1: Special Issue: Music and Socialism , February 2019 , pp. 7 - 31
Copyright
Copyright © Cambridge University Press 2019 

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