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Marianne Wheeldon, Debussy's Late Style (Bloomington: Indiana University Press, 2009), ISBN 978-0-253-35239-2 (hb)

Published online by Cambridge University Press:  12 August 2013

TIMOTHY COCHRAN
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Type
Reviews
Information
Twentieth-Century Music , Volume 10 , Issue 2 , September 2013 , pp. 285 - 290
Copyright
Copyright © Cambridge University Press 2013 

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References

1 For a fuller theorization of artistic lateness see Said, Edward, On Late Style: Music and Literature Against the Grain (New York: Vintage Books, 2006)Google Scholar. For a summary, critique, and reinterpretation of common associations with late style see Straus, Joseph N., ‘Disability and ‘Late Style’ in Music’, Journal of Musicology 25 (2008), 3–45CrossRefGoogle Scholar.

2 Suschitzky, Anya, ‘Debussy's Rameau: French Music and Its Others’, Musical Quarterly 86 (2002), 398–448CrossRefGoogle Scholar; Fulcher, Jane, ‘Speaking the Truth to Power: the Dialogic Element in Debussy's Wartime Compositions’, in Debussy and His World, ed. Fulcher, Jane (Princeton: Princeton University Press, 2001), 203–32CrossRefGoogle Scholar.

3 Suschitzky, ‘Debussy's Rameau: French Music and Its Others’, 404.

4 For another transformation of the Berceuse narrative template see Wheeldon's analysis of En blanc et noir (47–53).