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Published online by Cambridge University Press: 24 May 2021
1 The translator from the original French is John Tyler Tuttle.
2 Solomos is a Xenakis scholar and the expanded explanation of this point may be found elsewhere in his work.
3 Cf. p. 238: ‘What could be the final outcome of this history of the emergence of sound in music’?
4 Cf. Mooney, James, Schampaert, Dorien and Boon, Tim, ‘Editorial: Alternative Histories of Electroacoustic Music’, Organised Sound 22/2 (2017), 143–9CrossRefGoogle Scholar.
5 Mooney et al., ‘Editorial’, 144.