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K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).
Published online by Cambridge University Press: 05 May 2021
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References
1 See Charles A. Perrone and Christopher Dunn, ‘Chiclete com banana’, in Brazilian Popular Music and Globalization, ed. Charles A. Perrone and Christopher Dunn (Gainesville, FL: University Press of Florida, 2002); Jack Bishop, ‘Schismogenesis?: The Global Industrialization of Brazilian Popular Music’, paper presented at Associação Brasileira de Etnomusicologia (ABET), Recife, Pernambuco, Brazil, 20 November 2002; Denilson Lopes, ‘Transnational Soundscapes: Ambient Music and Bossa-trônica’, in Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario, ed. Ignacio Corona and Alejandro L. Madrid (Lanham, MD: Lexington Books, 2008); Inayatullah, Naeem, ‘Gigging on the World Stage: Bossa Nova and Afrobeat After De-reification’, Contexto Internacional 38/2 (May–August, 2016)CrossRefGoogle Scholar.
2 See Keightley, Keir, ‘Un Voyage via Barquinho: Global Circulation, Musical Hybridization, and Adult Modernity, 1961–9’, in Migrating Music, ed. Toynbee, Jason and Dueck, Byron (New York: Routledge, 2011)Google Scholar.
3 K. E. Goldschmitt, ‘Bossa Mundo: Brazilian Popular Music's Global Transformations (1938–2008)’ (PhD diss., University of California Los Angeles, 2009), xiii.
4 Lang, George, ‘Cannibalizing Bossa Nova’, in Music, Popular Culture, Identities, ed. Young, Richard (Amsterdam: Rodopi, 2002), 210–11Google Scholar.
5 Fléchet, Anaïs, Si tu Vas à Rio: La Musique Populaire en France au XXe Siècle (Paris: Armand Colin, 2013), 120CrossRefGoogle Scholar.
6 K. E. Goldschmitt, ‘Hybridity’, in Grove Music Online, www.oxfordmusiconline.com (accessed 2 August 2020).