Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-06T04:30:29.658Z Has data issue: false hasContentIssue false

Soviet Theatre: 2 Views

Published online by Cambridge University Press:  23 November 2021

Extract

Although the Soviet theatre is gigantic in extent and past achievements, its exact lineaments are often hard to discern from the West. Because of a distance which is linguistic, cultural, and political as well as geographical, balanced news does not filter through to us with any regularity; for many the Russian theatre is still summed up by one man—Stanislavski. Others are impressed by the Soviet system of permanent theatre companies but are unaware of their disadvantages and the pressures to which they are subject. Except on a few festival occasions, such as Edinburgh, London's “World Theatre Season,” or Aix-en-Provence, the theatre is not a very exportable commodity, and on the rare tours by Soviet theatre companies outside Eastern Europe, critical reaction has usually differed sharply.

Type
Research Article
Copyright
Copyright © The Tulane Drama Review 1967

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)