In Jean Genet's The Screens the revolt of the Algerian Arabs against their French colonizers is not characterized by the emancipation of human beings. Although the colonizers are described as oppressors inflated with their own power, the misery and the intolerable condition of the oppressed are not denounced in order to promote the liberation of the colonized people. On the contrary, these misfortunes are exalted so that the humiliated individual has the opportunity to make his misery the occasion for an inner experience based on the absolute contrast and conflict between his values and those of the Other—an unceasing contestation through which Saïd achieves a sovereignty which no action founded on the hope of a more just world could yield. For hope can take root only in this world, and the hope of claiming one's rights is lost in the desire to become the Other. The subjective, ascetic, and tragic experience of Saïd has indeed no political value.