Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-22T09:02:18.539Z Has data issue: false hasContentIssue false
  • English
  • Français

Acting Is Reacting

Published online by Cambridge University Press:  23 November 2021

Dan W. Mullin
Get access Rights & Permissions [Opens in a new window]

Extract

Acting has been variously defined as impersonating, imitating, interpreting, creating, feeling, radiating, being, behaving, or believing. Acting has even been defined as acting. In his book, The Actor's Ways and Means, Michael Redgrave states:

The essence of acting… is the power to act. Thought or emotion may or may not be present—but the basic will of the actor must be, quite simply, to act: not to think, not to feel, not to exhibitionize, not to make some personal statement—though he may do one or all of these—but to act.

Established actors, needing no definition, may accept any misty generalization if they are not sure what it is they are doing. The student actor needs a definition to guide him in understanding the process at any specific moment in the performance. The least common denominator in the actor's performance is a single unit. This unit is compounded of a stimulus and a response.

Type
Research Article
Information
Tulane Drama Review , Volume 5 , Issue 3 , March 1961 , pp. 152 - 159
Copyright
Copyright © The Tulane Drama Review 1961

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)