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From Sojourner to National Icon: Chua Boon Hean

Published online by Cambridge University Press:  19 February 2025

Stephanie Po-Yin Chung*
Affiliation:
Hong Kong Baptist University

Abstract

This paper takes a transregional approach to examine primary historical sources that reveal the significance of the experiential and professional meanderings of Chua Boon Hean (1905-1995) for Southeast Asian studies. Chua was a writer and artist who emigrated from Chaozhou in southern China to Malaya in the 1920s. He became a prominent figure in the film industry and is recognised as a cultural icon of post-independence Singapore. Chua’s story calls for a careful re-examination of the ambiguities and connections between ‘diaspora’, ‘ethnicity’ and ‘borders’. While policymakers had reasons to adopt such labels to manage a diverse population in a colonial and post-colonial setting, researchers must recognise the limits and implications of such efforts. Experiences of social belonging and ethnic identity – more malleable than categories might allow – repudiate this approach of rigid labelling. By adding new dimensions and fresh primary sources from Chua’s archive to ongoing discussions in Southeast Asian studies, this paper illuminates the fluidity of Chinese diasporic networks and ethnic identity overseas. By examining Chua’s story through a transregional historical lens, this paper lays the groundwork for a more imaginative approach to understanding the elastic and fluid process of identity formation in modern Asia. Such a perspective can contribute significantly to the current climate of heightened mobilities and politicised exchanges in Southeast Asia.

Type
Original Article
Copyright
© The Author(s), 2025. Published by Cambridge University Press on behalf of Institute for East Asian Studies.

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References

References

1) Manuscript Collection

Chua Boon Hean collection, National University of Singapore.*

Chua Boon Hean special collection, Hong Kong Film Archive.*

*Chua Boon Hean collected hundreds of volumes of screenplays, part of which have been donated by his descendants to the National University of Singapore and the Hong Kong Film Archive.

2) Oral History, National Archives of Singapore

Chua Boon Hean, Oral Interview (1990); accession number 001157

Odell Albert, Oral Interview (2002); accession number 002640*

Tan Sri Runme Shaw, Pioneers of Singapore, Oral History (1981), accession number 000059

Sir Shaw, Run Run, Oral history (1994); accession number 001545

*A Brit of Jewish origin, Odell was born in Hong Kong and later migrated to Singapore. He was a popular film distributor in Hong Kong and Singapore’s movie market in the 1950s and 1960s.

3) Newspapers and Magazines

Nanyang Siang Pau

Screen Voice

The Amusement

Sin Chew Jit Poh

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