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Roger Bacon as Magician*
Published online by Cambridge University Press: 29 July 2016
Extract
The practice of magic was much in vogue in the Renaissance and even the word had gained a limited respectability. Thus in 1558 when Giambattista della Porta published his collection of curiosities of art and nature he did so under the title Magia naturalis, and even in the next century the far more sober Bishop John Wilkins was to publish a book entitled Mathematicall Magick. Such works indicate essential similarities between magic and science in that each has as part of its aim the application of not readily apparent knowledge to practice. But we should not think that the widespread acceptance of natural magic in the Renaissance meant that the term had become a synonym for what we should now call science, for we still have to bear in mind such pictures as those of Marsilio Ficino chanting his Orphic hymns, of John Dee conversing with spirits through his medium Edward Kelly, and of Tommaso Campaneüa and Pope Urban VIII closeted together and performing secret rites to ward off the plague.
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References
1 First ed. 1648; republished in Wilkins, J., The Mathematical and Philosophical Works (Reprint of 2nd ed.; London 1970) II 89–246 Google Scholar
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4 See e.g., the article on Dee in Biographia Britannica III (London 1750) 1633–45.Google Scholar
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18 Birch, T., The History of the Royal Society of London (London 1756-7) III 470–474, 477, 479; cf. IV 156.Google Scholar
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37 Fam. Hist. (211-2 Thoms).Google Scholar
38 Fam. Hist. (213-4 Thoms).Google Scholar
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75 Tractatus brevis et utilis ad declarandum quedam obscure dicta in libro Secreto secretorum Aristotelis 3 (ed. Steele, , Op. hact. ined. V 6-8). Google Scholar
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82 It is curious that in his Summa logicae et philosophiae naturalis, which was written probably in the 1340s in Oxford, John Dumbleton referred to Bacon as ‘unus qui Bakun cognominatur’ (MS Vatican, Vat. Lat. 6750, fol. 194vb).Google Scholar
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