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‘Swimming Upside Down in the Wrong Direction’ Plato's Criticism of Sophistic Rhetoric on Technical and Stylistic Grounds

Published online by Cambridge University Press:  19 July 2017

Helen F. North*
Affiliation:
Swarthmore College

Extract

The reform of rhetoric is an integral part of the great program of moral reform undertaken by Plato, and the intensity with which he pursues the subject is a measure of the importance it assumed in his thought. This importance is only partly a result of the enormous and perverse influence wielded by rhetoric on politics and the ethics of the individual. The basic reason for Plato's hostility to sophistic rhetoric was that it took the side of appearance in the conflict between appearance and reality which lay behind much of the Socratic–Platonic philosophy. Rhetoric as it was developed by the great teachers of the late fifth century and exercised in the early fourth was concerned, not with knowledge, but with the appearance of knowledge. It did not care for truth, only for what was probable (εἰϰός) or persuasive (πιθανόν). ‘To seem’ (δοϰεĩν, ϕαíνεσθαı) rather than ‘to be’ (εἷναı) was its goal.

Type
Research Article
Copyright
Copyright © Fordham University Press 

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References

2 Not all βϱαχυλογία, however, is Socratic and capable of accomplishing the work of the έλεγχος. Both Protagoras and Gorgias are represented as boasting of their ability to speak at length or briefly, yet both are shown to be incompetent at managing the technique of question and answer. See Prot. 334E, 335B, and Gorg. 449C. Cf. Phaedr. 267A on the claims of both Tisias and Gorgias.Google Scholar

3 Plato's use of the words ϱήτωϱ, πολιτικὸς, and σοφιστής is not entirely consistent, but in general ϱήτωϱ refers to one who practices public speaking, especially in the Assembly, πολιτικὸς is often a synonym for ϱ'ήτωϱ and always indicates a man in public life, a statesman, while σοφιστής means one who teaches (for pay) and claims to impart the ability to speak, or what is often called άϱετή πολιτική, political excellence. Gorgias is called a ϱήτωϱ (Gorg. 449A6) which in his case merely implies that he teaches rhetoric, a meaning not generally attached to the word in Plato's time. In the present paper ϱήτωϱ refers to one who practices oratory, not one who teaches it. Plato's use of these and related terms is discussed by Wilcox, Stanley, Harvard Studies in Classical Philology 53 (1942) 134 and Coulter, James and Brown, Malcolm, Journal of the History of Philosophy 9 (1971) 414–15, note 16.CrossRefGoogle Scholar

4 Cf. Phaedr. 276Aff. on the inability of the written work to respond to questioning (hence its inferiority as a mode of instruction to dialectical exchange between teacher and student). In the Protagoras, after concluding his parody of the sophistic technique of explication of poetry, Socrates specifically bars the poets from further consideration, precisely because they cannot respond to questioning (347D–E).Google Scholar

5 For the characteristics of the έλεγχος in the early dialogues consult Robinson, Richard, Plato's Earlier Dialectic (Ithaca 1941) 734. When Socrates invites Polus to ask questions in his turn and promises to submit to the έλεγχος, the invitation is in fact merely a device to persuade Polus to continue the discussion.Google Scholar

6 For this result of the process of refutation see Meno 84, Apol. 23Aff.Google Scholar

7 See Stenzel, Julius, Plato's Method of Dialectic, tr. Allan, D. J. (Oxford 1940), especially pp. 134–56.Google Scholar

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9 Dodds, E. R., Plato, Gorgias (Oxford 1959), 229.Google Scholar

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11 Dodds, op. cit. 329, notes that Phaedr. 264C connects the same idea of structural unity with the composition of a speech.Google Scholar

12 See Hackforth, , op. cit., 149, for a suggestion that what Pericles learned from Anaxagoras (φύσις, according to Plato) was ‘not a doctrine, but a method of viewing things, of viewing anything; namely to look to the φύσις, the “nature” revealed in a whole, rather than to the characters of its parts.’Google Scholar

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14 Other parodies include that of Lysias in the Phaedrus (see Shorey, Paul, Class, Phil. 23 [1933] 131–32, for Plato's imitation of the characteristic Lysian phrase καί μέν δή) and of Isocrates (or Gorgias?) in Rep. 6.495Eff. Cf. Paul Vicaire, Platon, critique littéraire (Paris 1960) 295–310.Google Scholar

15 Dodds suggests that Plato's use of words like κύϱωσις and χειϱούγημα, Gorg. 450B9, is intended to supply ‘specimens of the pompous jargon affected by Gorgias.’ The eulogy of rhetoric at 456Aff. contains echoes of the Gorgianic style.Google Scholar

16 A reminiscence of Od. 11.632.Google Scholar

17 See Diodorus 12.53 for a list of the schemata usually recognized as Gorgianic. Useful discussions of Gorgias’ style include Denniston, J. D., Greek Prose Style (Oxford 1952) 1013 and Norden, Eduard, Die antike Kunstprosa (Stuttgart 1958) 1.63–71.Google Scholar

18 Rhetoric 3.1404A28ff.: It was because poets seemed to win fame through their fine language when their thoughts were simple enough that the language of oratorical prose at first took a poetical color—for example, that of Gorgias.Google Scholar

19 See Norden, op. cit., 74 for a brief analysis of this passage.Google Scholar

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21 Further criticism of Simonides is contained in Rep. 1.331Dff.Google Scholar

22 Consult Newhall, Barker, Dramatic and Mimetic Features of the Gorgias of Plato (Baltimore 1891).Google Scholar

23 See Dodds, op. cit., 387–91, on the response of Nietzsche to the ‘anti-Plato in Plato.’Google Scholar

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25 The medical parallel so prominent in the Gorgias may have been suggested by the claim of Gorgias himself, in his praise of the power of the λὸγος (Helen 14), ‘that the ability to speak has the same effect in bringing order to the soul as orderly drugs have on bodies (‘order’ here being τάξις).Google Scholar

26 On the fame of Thrasymachus as a master of appeals to the emotions, see Phaedr. 267C.Google Scholar

27 336D (ΰθλονς … λέγειν—talk nonsense), 338D, 340D; cf. 336C (εύηθίζεσθε—act like a fool), 341B (κακούϱγει—be a scoundrel); 343A (κοϱυζώντα—drivel, have a running nose). Thrasymachus is compared to a bathman, pouring his λὸγος into the ears of his hearers all at once (344D).Google Scholar

28 As with the medical parallel, so too the comparison of rhetoric to magic seems to have originated with Gorgias. See Helen 10 on the twofold arts of μαγεία and γοητεία, which are ‘misleadings’ of the soul and deceptions of opinion. The comparison eventually becomes a cliché: see Demosthenes, De Corona 276, δεινὸν και γὸητα καί σοφιστήν. The word άπατη (deception) occurs with similar connotations. See Meno 80A–B: γοητεύειν, φαϱμάττειν, κα-τεπ4δειν, Gorg. 484A: μαγγανεύματα επφδαί, Soph. 240D: άπατάν, άπατητική, and 264D. Since this article was written, the relation of rhetoric to magic has been analyzed by de Romilly, Jacqueline, Magic and Rhetoric in Ancient Greece (Cambridge, Mass. 1976).Google Scholar

29 For ψυχαγωγία as a derogatory term, see Isocrates, Ad Nic. 49. It should be noted that the use of charms or spells can sometimes have a good effect. Thus in Charmides 157A–B Socrates can cure the soul by certain επψδαί or καλοί λὸγοι, which he has learned from the physician of the Thracian king, Zalmoxis; these ‘charms’ of course refer to the Socratic elenchus, and are in no way to be equated with the spells of ordinary sophistic spellbinders. In the Laws Plato recommends the use of enchantments (έπφδαί) as educational devices, and these are evidently means of rhetorical persuasion, not magical incantations. See Morrow, Glenn, Plato's Cretan City (Princeton 1960), 309–11.Google Scholar

30 See Ps.-Lucian, Enc. Demos. 5.494 (Jacobitz 3.363) and 18.504 (3.370) where σώφϱων μανία is equivalent to Plato's θεία μανία and cf. Ps.-Longinus, De Subl. 16.4. Consult Class. Phil. 43(1948) 117.Google Scholar

31 Consult Kucharski, P., Rév. d. Ét. Gr. 74 (1961) 371406.Google Scholar

32 The vocabulary with which Aristophanes attacks rhetoric goes beyond Plato's in ridiculousness, thanks to the possibilities open to Old Comedy. Particularly effective is the invention of long, absurd, compound words (see Clouds 1003–1004). On the power of άντι-λέγειν see Clouds 1038ff.Google Scholar

33 E.g., Phaedr. 261D–E, where Zeno is made the father of eristic (άντιλογία).Google Scholar

34 Cf. the summary of Theodectes’ τέχνη (Prolegg. Syllog. p. 216 Rabe): ‘the function of the orator in the Proem is to win good will (εϋνοια).’ See also Aristophanes, Knights 1340–1344, where a typical proem in the Assembly includes the words εϱαστής τ’ είμΐ σος φιλώ τέ σεΐκαΐ κηδομαί σου καί πϱοβουλευώ μὸνος (I am your ardent admirer and I love you and I feel concern for you and I alone take counsel for you).Google Scholar

35 An echo of the phrase used to describe the horses and charioteer of the gods in the myth of Socrates’ second speech, 246A–B.Google Scholar

36 For the long detour cf. Rep. 504B. On the imagery of the Phaedrus, consult Anne Lebeck, ‘The Central Myth of Plato's Phaedrus,’ Greek, Roman, and Byzantine Studies 13 (1972) 267–90.Google Scholar

37 E.g., Laws 734D, where the life in accordance with άϱετή is more pleasant than a life of vice.Google Scholar

38 Morrow, Consult, op. cit., 558. On the relation of χαϱίζεσθαι to Aristotle's Gryllus and Rhetoric, see Jaeger, Werner, Paideia III, tr. Gilbert Highet (New York 1944) 320.Google Scholar