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Published online by Cambridge University Press: 17 July 2017
The originality of the imaginative concepts, terms and symbols of the classical Spanish mystics has elicited several philological approaches. All of them try to explain or rather to account for this originality. Each of these different methods, however, is characterized by a striking onesidedness and exclusiveness of view. In order to find out where further research has to start from, it is necessary first to review the attempts of investigation made till now. They may be designated as the non-historic, the synthetic, the secular, the Arabic and the Germanic theses.
1 The works of the following mystics will be discussed:Google Scholar
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The true meaning is that God, in the scintilla animae of the mystic during the dark night, is equally present as in the Blessed Sacrament: ontologically real but ‘in darkness’, i.e. not experienced except por fe. And the poet's longing, despite all the statements about the hidden place of the fount, is for the experienced unio mystica. Google Scholar
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326 Ibid. 80.Google Scholar
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