Articles
“It Brought the World to this Coast”: The World Premiere of Eugene O'Neill'S Lazarus Laughed at the Pasadena Community Playhouse
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- 21 October 2010, pp. 1-36
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“How now Horatio, you tremble and look pale”: Verbal Cues and the Supernatural in Shakespeare's Tragedies
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- 07 July 2009, pp. 127-138
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“Write a Dance”: Lazarus Laughed as O'Neill's Dithyramb of the Western Hemisphere
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- 21 October 2010, pp. 37-49
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Staging as a Key to Meaning in The Alchemist
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- 07 July 2009, pp. 139-153
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“Shakespeare spelt ruin and Byron bankruptcy”: Shakespeare at Chatterton's Drury Lane, 1864–1878
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- 07 July 2009, pp. 155-174
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The Origins of the O'Neill Renaissance: A History of the 1956 Productions of The Iceman Cometh and Long Day's Journey into Night
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- 21 October 2010, pp. 51-68
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Reviewers' Responses to the Early Plays of Eugene O'Neill: A Study in Influence
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- 21 October 2010, pp. 69-86
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Robins Hits the Road: Trouping with O'Neill in the 1880s
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- 07 July 2009, pp. 175-192
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The Apprenticeship of Robert Edmond Jones
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- 07 July 2009, pp. 193-212
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Eugene O'Neill in China
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- 21 October 2010, pp. 87-101
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Notes and Documents
Long Day's Journey was the “Wrong” Play
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- 21 October 2010, pp. 103-112
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Review Essay
Shakespeare on Later Stages - Tori Haring-Smith. From Farce to Metadrama: A Stage History of “The Taming of the Shrew,” 1594–1983. Contributions in Drama and Theatre Studies, No. 16. Westport: Greenwood Press, 1985. ix + 280 pp. $35.00. - John A. Mills Hamlet on Stage: The Great Tradition. Contributions in Drama and Theatre Studies, No. 15. Westport: Greenwood Press, 1985. xv + 304 pp. $37.50. - Rinda F. Lundstrom William Poel's Hamlets: The Director as Critic. Theater and Dramatic Studies, No. 20. Ann Arbor: UMI Research Press, 1984. vi + 194 pp. $42.95. - Philip Brockbank, ed. Players of Shakespeare: Essays in Shakespearean Performances by Twelve Members of the Royal Shakespeare Company. Cambridge: Cambridge University Press, 1985. xii + 179 pp. $22.95.
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- 07 July 2009, pp. 213-221
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Notes and Documents
Eugene O'Neill in South Africa: Margaret Webster's Production of A Touch of the Poet
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- 21 October 2010, pp. 113-116
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Book Reviews
Ronald W. Vince, Ancient and Medieval Theatre: A Historiographical Handbook. Westport, Ct.: Greenwood, 1984. xi+ 156 pp. $36.95. - Ronald W. Vince, Renaissance Theatre: A Historiographical Handbook. Westport, Ct.: Greenwood, 1984. xi + 204 pp. $36.95. - Ronald W. Vince. Neoclassical Theatre: A Historiographical Handbook. Westport, Ct.: Greenwood, 1988. x + 229 pp. $45.00
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- 07 July 2009, pp. 223-228
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Clifford Davidson, Visualizing the Moral Life: Medieval Iconography and the Macro Morality Plays. New York: AMS Press, 1989. 169 pp. $39.95.
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- 07 July 2009, pp. 228-229
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Notes and Documents
Eugene O'Neill and Poetic Realism: Tragic Form in the Belgian Premiere of Long Day's Journey into Night
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- 21 October 2010, pp. 117-125
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Front matter
TSY volume 29 issue 1 Cover and Front matter
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- 21 October 2010, pp. f1-f3
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Book Reviews
The Prologues and Epilogues of the Restoration 1660–1700, edited by Pierre Danchin. Part 2: 1677–1690, 2 vols. Nancy: Presses Universitaires de Nancy, 1984 xxxvi + 858 pp. Part 3: 1691–1700, 2 vols. (1987). li + 697 pp. Part 4: Indexes with Addenda and Corrigenda (1988). 113 pp. [Priced in French francs: Part 2: 380; Part 3: 650; Part 4: 120.]
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- 07 July 2009, pp. 229-233
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Back matter
TSY volume 29 issue 1 Cover and Back matter
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- 21 October 2010, pp. b1-b2
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Book Reviews
Glenda E. Gill, White Grease Paint on Black Performers: A Study of the Federal Theatre, 1935–1939. New York: Peter Lang, 1988. 220 pp. $36.00. - Elizabeth Brown-Guillory, Their Place on the Stage: Black Women Playwrights in America. New York: Greenwood Press, 1988. 193 pp. $37.95.
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- 07 July 2009, pp. 233-237
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