Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-27T12:01:31.642Z Has data issue: false hasContentIssue false

Working Up from Postholes: (Im)Material Witnesses, Evidence, and Narrativity in the Colonial American Theatre

Published online by Cambridge University Press:  25 October 2005

Odai Johnson
Affiliation:
University of Washington

Extract

As what follows is, in many ways, a history of absence, I begin with a poignant illustration of materializing something that wasn't there.

Type
Research Article
Copyright
© 2005 The American Society for Theatre Research, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

Odai Johnson is Associate Professor of Theatre at University of Washington's School of Drama. He is the author of Rehearsing the Revolution (2000), The Colonial American Stage (2001), and Absence and Memory on the Colonial American Stage (forthcoming, Palgrave–MacMillan)