Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-23T19:14:09.006Z Has data issue: false hasContentIssue false
  • English
  • Français

What Says the Fire Chief?

Published online by Cambridge University Press:  21 October 2010

Alan Read
Alan Read
Affiliation:
Barcelona and London
Get access Rights & Permissions [Opens in a new window]

Extract

As a theatre practitioner I am interested in how the conventions and jurisdictions which determine what I can do and cannot do, under the sign of theatre, came to be. The most intriguing of these determinations are, of course, the silent ones, those about which least is said but on which most is predicated. These are what I call theatre taboos, a complex of shadowy restraints and controls, from prompting to possession, that transgress the theatre's limit, informs us politely what theatre is not and in so doing inadvertently tells us something about what theatre is.

Type
Research Article
Information
Theatre Survey , Volume 33 , Issue 1 , May 1992 , pp. 74 - 84
Copyright
Copyright © American Society for Theatre Research 1992

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 This paper was first presented at the ATHE conference, Chicago, August 1990. It was a contribution to a panel entitled, “Theatre, Social Practice and Representation,” the common theme of which was the theoretical work of Michel de Certeau. I would like to thank John Lutterbie for chairing the session and initiating my participation in the conference, and Joseph Roach for critical support.

2 Cetteau, Michel de, The Writing of History, trans. Conley, Tom (New York: Columbia University Press, 1988), 96.Google Scholar For a full discussion of these themes, see de Certeau's two methodological essays: “Making History” and “The Historigraphical Operation” in The Writing of History, 19–113.

3 Carlson, Marvin, Places of Performance (Ithaca: Cornell University Press, 1989), 2.Google Scholar

4 Certeau, Michel de, The Writing of History, 56–7.Google Scholar

5 The Builder, 15 March 1856, 137–9.

6 de Certeau, 334.

7 de Certeau, 48.

8 de Certeau, 2–3.

9 de Certeau, 5.

10 de Certeau, 70–1.

11 Leacroft, Richard, The Development of the English Playhouse (London: Methuen, 1986), 167.Google Scholar

12 See The Builder, 16 February 1856, 191–3.

13 J. W. von Goethe. “Zahme Xenien, V,” quoted by Rehbinder, Manfred in Theatre Space, ed. Arnott, J. P. et al. (Munich: International Federation for Theatre Research, 1977), 202.Google Scholar

14 Kierkegaard, Søren, “What Says the Fire Chief?” in A Kierkegaard Anthology, ed. Bretall, Robert (Princeton: Princeton University Press, 1946), 448–9.Google Scholar

15 Bachelard, Gaston, The Psychology of Fire, trans. Ross, Alan (Boston: Beacon Press, 1968).Google Scholar

16 For information concerning French theatre fires see F.WJ. Hemmings, "Fires and Fire Precautions in the French Theatre," Theatre Research International 16 (Autumn 1991): 237-248.