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Published online by Cambridge University Press: 10 August 2016
The moment when the actors’ sweltering bodies shed their crumbled costumes in the dressing room, the breakdown of the inseparable begins—the actors’ bodies and the costumes that presented a seamless portrayal of a character onstage now enter two separate realms. Although the living bodies will most likely appear onstage again, what about the costumes? Pickled with sweat and smeared makeup, they might be sprayed with alcohol before the next performance, or go through some chemical treatment and enter the shop to collect dust, or they might be sold off to those who want to make a big impression at the next Halloween party. But more often than not, they end up as landfill—those cheap, colorful, shiny shreds of garbage that were not produced in Mother Nature's belly, but were made in sweatshops by underpaid textile workers and draped by some overworked costume shop employee.
1. “Recycling Pirates,” Good Life Theatre (website), www.goodlifetheater.com/p/recycling-pirates.html, accessed 27 April 2016.
2. Brad Ferguson, “Creative Recycling in the Theater,” StageSpot.com (blog), 31 October 2013, www.stagespot.com/blog.html/page/19/, accessed 20 April 2016.
3. Steven McElroy, “The Great White Way Tries to Turn Green,” New York Times, 25 November 2008, C3.
4. Quoted in ibid.