Time, timing, and timelessness all converge in Harry J. Elam's The Past as Present in the Drama of August Wilson (2004), a major addition to Wilson studies at this profound juncture in the history of American theatre. First, Elam's study offers a sweeping retrospective of Wilson's blending of past and present time in his recently completed cycle of plays. Yet it is the timing of the book's release that affords it an added advantage. Though published in 2004, The Past as Present in the Drama of August Wilson can easily be regarded as a most fitting tribute to one of the great voices of the American stage. As the nation—indeed the world—mourns the sudden loss of August Wilson, current and future generations of scholars, students, educators, theatre practitioners, and lovers of theatre may find comfort in knowing that the foundation has already been laid for serious and sustained study of his phenomenal legacy and far-reaching influence. Elam's work adds a vital cornerstone to that foundation.