Using both published and unpublished sources, Brenda Murphy's carefully researched account of important productions of Eugene O'Neill's realistic, autobiographical masterpiece devotes the first twenty percent of the text to the famous New York premiere and continues with briefer accounts of major productions in English, foreign-language productions, and film and television adaptations. As appendixes, Murphy also includes a production chronology from 1956 to 2000, a discography and videography. The fifteen black and white photographs are portraits and close-ups, notably excepting one image from the first José Quintero New York production (displaying the much-discussed stained glass window treatment behind the four principals) and one nearly full stage shot of the famous interior from the first Stockholm production.