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From the Editor
Published online by Cambridge University Press: 21 December 2018
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References
Endnotes
1. Wickstrom, Maurya, Performing Consumers: Global Capital and Its Theatrical Seductions (New York: Routledge, 2006)CrossRefGoogle Scholar; Wickstrom, “Commodities, Mimesis and The Lion King: Retail Theatre for the 1990s,” Theatre Journal 51.3 (1999): 285–98CrossRefGoogle Scholar.
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6. On girlhood studies see Driscoll, Catherine, Girls: Feminine Adolescence in Popular Culture and Cultural Theory (New York: Columbia University Press, 2002)Google Scholar; Helgren and Vasconcellos. On girlhood studies and performance see Warren-Crow, Heather, Girlhood and the Plastic Image (Hanover, NH: Dartmouth College Press [Lebanon, NH: UPNE], 2014)Google Scholar; Hatch, Kristen, Shirley Temple: The Performance of Girlhood (New Brunswick, NJ, and London: Rutgers University Press, 2015)Google Scholar; Williams, Deanne, Shakespeare and the Performance of Girlhood (Houndmills, Basingstoke, UK: Palgrave Macmillan, 2014)CrossRefGoogle Scholar; Heather Marie Fitzsimmons Frey, “Victorian Girls and At-home Theatricals: Performing and Playing with Possible Futures” (Ph.D. diss., Centre for Drama, Theatre and Performance Studies, University of Toronto, 2015).
7. Helgren and Vasconcellos, 4.
8. Williams, 2.
9. Helgren and Vasconcellos, 3.
10. Driscoll, 2.
11. Driscoll, 2–3; also Helgren and Vasconcellos, 3.
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