“Where do we find ourselves?” We ask some permutation of this question in response to life events, as Ralph Waldo Emerson does to open his haunting essay on the death of his young son, the magisterial “Experience” (1844). Commemorations also compel us to make such accountings, to break from the requisite, often monotonous routines of everyday life to assess our evolutions. The sixtieth anniversary of the founding of the American Society for Theatre Research offers such an occasion, and this forum's invitation to imagine and, perhaps, sway the direction of the organization's discursive and institutional practices over the next decade or more requires, first of all, estimating where we, as scholars of theatre and performance culture, find ourselves. Although these inspections would certainly reveal actions and innovations worthy of commemoration, the more important task is to lay bare and come to grips with those assumptions, ruts, and shibboleths in our respective fields of inquiry that have become so ingrained that they have achieved a kind of sacrosanctity. We must contest and, in many cases, abandon these conceptual and analytical habits: such efforts, though to the detriment of ideology, will be to the good of the discipline and the enrichment of our individual scholarly sensibilities.