Published online by Cambridge University Press: 21 October 2010
The origins and early development of American vaudeville remain shrouded in the fog of nineteenth-century theatre history. Most historical accounts focus upon the evolution of vaudeville from entertainments performed in honky-tonks, beer gardens, and “concert saloons” of the 1860s and 1870s. Itinerant artists were hired to keep customers in a drinking mood with jigs, songs, acrobatics, and jokes. According to Douglas Gilbert, the audience for “variety,” as the sum of these peripatetic performers was then called, consisted of “tosspots, strumpets, dark-alley lads, and shimmers.” Few “respectable” men would dare venture into such places because of the drunkenness of the audience and the salacious nature of the entertainment.
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4 Boston Herald, January 14, 1883, p. 3.
5 Boston Herald, February 11, 1883, p. 7.
6 Boston Herald, February 25, 1883, p. 9.
7 Boston Herald, April 1, 1883, p. 7.
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9 Ibid.
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23 New York Clipper, June 7, 1884, p. 187, Boston Herald, June 1, p. 10; June 15, p. 10.
24 New York Clipper, July 26, 1884, p. 198.
25 Handbill, September 27, 1884, Rare Book Room, Boston Public Library.
26 Temporarily, at least; he did leave for Providence several years later.
27 Boston Herald, December 28, 1884, p. 10.
28 New York Clipper, January 10, 1885, p. 679.
29 New York Clipper, March 21, 1885, p. 4.
30 Boston Herald, April 18, 1885, p. 10; April 26, p. 10; May 10, p. 10.
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36 Quoted in McLean, p. 85.
37 Quoted in McLean, p. 86.
38 Boston Herald, July 12, 1885, p. 10.
39 Boston Herald, August 30, 1885, p. 10.
40 New York Clipper, July 11, 1885, p. 265.