Introduction
Introduction
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- 23 January 2009, pp. 197-199
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Articles
The Commedia dell'arte: An Introduction
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- 23 January 2009, pp. 99-103
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Civil War and Civil Discord: Theatrical Representation of the Common Will and the Single Heart in the Terrible Century
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- 23 January 2009, pp. 1-6
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Trial as Theatre in the Russian Revolution
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- 23 January 2009, pp. 7-13
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Warriors and Runaways: Monique Wittig's Le Voyage sans fin
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- 23 January 2009, pp. 200-204
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Was Commedia dell'arte Performed by Mountebanks? Album amicorum Illustrations and Thomas Platter's Description of 1598
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- 23 January 2009, pp. 104-126
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Sound Tracks: the Soundscapes of India Song
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- 23 January 2009, pp. 205-214
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An Unknown Portrait of Tiberio Fiorilli
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- 23 January 2009, pp. 127-132
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Undoing the Body Politic: Representing Rape in Women Beware Women
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- 23 January 2009, pp. 14-23
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The Charlatans of the Pont-Neuf
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- 23 January 2009, pp. 133-141
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Des coulisses de l'histoire aux coulisses du théâtre: la dramaturgie québécoise et la Crise d'octobre
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- 23 January 2009, pp. 24-37
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The Spatialization of Loss in the Theatre of Marguerite Duras
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- 23 January 2009, pp. 215-224
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Theatre and Political Discord: Theatre Rebels of Zimbabwe and Kenya
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- 23 January 2009, pp. 38-43
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Caribbean Women Playwrights: Madness, Memory, but Not Melancholia
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- 23 January 2009, pp. 225-232
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Actor-authors of the Commedia dell'arte: The Dramatic Writings of Flaminio Scala and Giambattista Andreini
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- 23 January 2009, pp. 142-151
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À Table: The Power of Food in French Women's Theatre
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- 23 January 2009, pp. 233-241
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La Virtu et la volupté. Models for the Actress in Early Modern Italy and France
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- 23 January 2009, pp. 152-158
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Militant Marionettes: Two ‘Lost’ Puppet Plays of the Spanish Civil War, 1936–39
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- 23 January 2009, pp. 44-50
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Bisexuality in Cixous's Le Nom d'Œdipe
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- 23 January 2009, pp. 242-248
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Harlequin, Holberg and the (In)visible Masks: Commedia dell'arte in Eighteenth-Century Denmark
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- 23 January 2009, pp. 159-166
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