Articles
Comic Stages in Magna Graecia: the Evidence of the Vases
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- 23 January 2009, pp. 95-107
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Eight Portraits of Gelosi Actors in 1589?
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- 23 January 2009, pp. 108-120
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‘Nobody Was Ready for That’: The Gross Impertinence of Terence Gray and the Degradation of Drama
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- 23 January 2009, pp. 121-131
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Acting Africa
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- 23 January 2009, pp. 132-140
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Shakespeare and the Birth of Polish Romanticism: Vilna 1786–1846
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- 23 January 2009, pp. 141-146
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Shakespeare in Poland, 1918–1989
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- 23 January 2009, pp. 147-156
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Konrad Swinarski's Midsummer Night's Dream
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- 23 January 2009, pp. 157-163
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Shakespeare's Paradoxical Victory: the 1990s
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- 23 January 2009, pp. 164-170
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Reviews
Aristophanes: An Author for the Stage. By Carlo Fernando Russo. London and New York: Routledge, 1994. Pp. xiv + 279. £40.
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- 23 January 2009, p. 171
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The Theatrical City: Culture, Theatre and Politics in London, 1576–1649. Edited by David L. Smith, Richard Strier and David Bevington. Cambridge: Cambridge University Press, 1995. Pp. xiv + 288 + illus. £35/$49.95.
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- 23 January 2009, pp. 171-172
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Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. By Michael Shapiro. Ann Arbor: University of Michigan Press, 1994. Pp. viii + 282. $37.50 Hb.
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- 23 January 2009, pp. 172-173
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Social Shakespeare: Aspects of Renaissance Dramaturgy and Contemporary Society. By Peter J. Smith. New York: St. Martin's Press, 1995. Pp. 242 + illus. $49.95 Hb.
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- 23 January 2009, pp. 173-174
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Shakespeare in Performance: Hamlet. By Anthony B. Dawson. Manchester and New York: Manchester University Press, 1995. Pp. x + 261 + illus. £40.
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- 23 January 2009, pp. 174-175
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The Stage Designs of Inigo Jones: The European Context. By John Peacock. Cambridge: Cambridge University Press, 1995. Pp. xxii + 387 + illus. £75/$145.
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- 23 January 2009, pp. 175-176
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Melodrama and the Myth of America. By Jeffrey D. Mason. Bloomington and Indianapolis: Indiana University Press, 1993. Pp. xi + 247 + illus. £25.
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- 23 January 2009, pp. 176-177
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Loïe Fuller: Danseuse de la Belle Epoque. By Giovanni Lista, Paris: Stock-Editions d'Art Somogy, 1994. Pp. 677 + illus. FF 240.
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- 23 January 2009, pp. 177-178
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Pinocchio's Progeny: Puppets, Marionettes, and Robots in Modernist and Avant-Garde Drama. By Harold B. Segal. Baltimore and London: P & J Books, The Johns Hopkins University Press, 1995. Pp. xi + 331 + notes, bibliography, index. $48.50 Hb; 16.95 Pb.
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- 23 January 2009, pp. 178-179
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Love Goes to Press (A Comedy in Three Acts). Written by Martha Gellhorn and Virginia Cowles. With an introduction by Martha Gellhorn. Edited by Sandra Spanier. Lincoln, Nebraska: University of Nebraska Press, 1995. Pp. xiv + 88 + illus. $34.50 Hb.
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- 23 January 2009, p. 180
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‘Vast Encyclopedia’: The Theatre of Thornton Wilder. By Paul Lifton. Westport, CT: Greenwood Press, 1995. Pp.xii + 225; $59.95Hb.
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- 23 January 2009, pp. 180-181
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British Realist Theatre: The New Wave in its Context 1956–1965. By Stephen Lacey. London and New York: Routledge, 1995. Pp. x + 206. £35; £11.99.
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- 23 January 2009, p. 181
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