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Theatre and the World: Performance and the Politics of Culture. By Rustom Bharucha. London: Routledge, 1993. Pp. 272. £120 Hb; £34.99 Pb.

Published online by Cambridge University Press:  19 March 2021

Marcus Cheng Chye Tan*
Affiliation:
National Institute of Education, Nanyang Technological University, Singapore, [email protected]

Abstract

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Type
Double Take
Copyright
Copyright © International Federation for Theatre Research 2021

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References

NOTES

1 Banham, Martin, ‘Review of Theatre and the World: Performance and the Politics of Culture’, Theatre Research International, 19, 2 (Summer 1994), p. 182Google Scholar.

2 Lo, Jacqueline and Gilbert, Helen, ‘Toward a Topography of Cross-cultural Theatre Praxis’, Drama Review, 46, 3 (Autumn 2002), pp. 3153CrossRefGoogle Scholar.

3 Schechner, Richard, ‘Intercultural Performance: An Introduction’, Drama Review, 26, 2 (Summer 1982), pp. 34Google Scholar, here p. 4.

4 Lei, Daphne P., ‘Interruption, Intervention, Interculturalism: Robert Wilson's HIT Production in Taiwan’, Theatre Journal, 63, 4 (December 2011), pp. 571–86CrossRefGoogle Scholar.

5 ‘Dialogue: Erika Fischer-Lichte and Rustom Bharucha’, Textures: Online Platform for Interweaving Performance Cultures, 6 August 2011, at www.textures-platform.com/?p=1667&page=3, accessed 22 November 2020.

6 See Bharucha, Rustom, The Politics of Cultural Practice: Thinking through Theatre in an Age of Globalization (New Delhi: Oxford University Press, 2000)Google Scholar.

7 Knowles, Ric, Theatre & Interculturalism (Houndmills: Palgrave Macmillan, 2010), p. 21CrossRefGoogle Scholar.

8 McIvor, Charlotte and Nakase, Justine, ‘Annotated Bibliography’, in Lei, Daphne P. and McIvor, Charlotte, eds., The Methuen Drama Handbook of Interculturalism and Performance (London: Bloomsbury, 2020), pp. 221–51Google Scholar, here p. 239.

9 See, for example, Mary Jo Meg Gentes's review in Asian Folklore Studies, 54, 1 (1995), pp. 133–4.