A Danish theatre group with a Swedish director, calling themselves the New Scandinavian Experimental Theatre, presented a provocative staging of Strindberg's Miss Julie in Copenhagen in April 1992. It was received with enthusiasm by the group of Strindberg scholars at the International Strindberg Conference being held in Copenhagen at that time. What was it about this production which was so appealing? The following three articles attempt to demonstrate different ways of approaching this production in retrospect — that is to say almost one year later. The first is mainly concerned with the actress playing Julie, the second is concerned with the director's concept and how this was realized on stage, whilst the third is interested in placing this production in the context of the Scandinavian Strindberg tradition.