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Published online by Cambridge University Press: 02 August 2019
This series of provocations on the changing work of theatre historians opens with a contribution by David Wiles, who recounts a meeting of IFTR's Theatre Historiography Working Group in London in 2018. Wiles's reflection is followed by responses from scholars working in or on different regions, including perspectives by Oscar Tantoco Serquiña, Jr (Philippines), Lorena Verzero (Latin America) and Promona Sengupta (India).
1 O'Connor, Peter and Anderson, Michael, ‘Research in a Post-normal World’, in O'Connor and Anderson., eds., Applied Theatre: Research (London: Bloomsbury Methuen, 2015), pp. 3–94, here p. 3CrossRefGoogle Scholar.
2 Convened jointly by the University of Exeter and Royal Holloway University of London. Organizers: Elaine McGirr, Jane Milling, Kate Newey, Liz Schafer and David Wiles. The meeting was convened on RHUL premises in Bloomsbury, and RHUL kindly provided cups of tea.
3 Ranke, Leopold von, Preface to Histories of the Latin and Germanic Nations from 1494 to 1514, in Stern, Fritz, ed., The Varieties of History (New York: Vintage, 1973), p. 57Google Scholar.
4 A term coined by Roland Barthes in 1967. See his ‘La mort de l'auteur’, in Barthes, Le bruissement de la langue: Essais critiques IV (Paris: Seuil, 1984), pp. 63–9Google Scholar.
5 See projects directed by Erika Fischer-Lichte in Berlin, the Interweaving Cultures international research centre, at www.geisteswissenschaften.fu-berlin.de/en/v/interweaving-performance-cultures, accessed 14 March 2019, and by Christopher Balme in Munich, Centre for Global Theatre History, at www.gth.theaterwissenschaft.uni-muenchen.de, accessed 14 March 2019.
6 For the anglophone prejudice against aesthetics, take the decision to translate Lecoq's Le corps poétique as The Moving Body, trans. Bradby, D. (London: Methuen, 2000)Google Scholar; or Fischer-Lichte's Ästhetik des Performativen as The Transformative Power of Performance, trans. Jain, Saskya Iris (Abingdon: Routledge, 2008)Google Scholar.
7 Balme, Christopher B. and Davis, Tracy C., gen. eds., A Cultural History of the Theatre (London: Bloomsbury, 2017)Google Scholar.
8 Thompson, James, Performative Affects: Applied Theatre and the End of Effect (Basingstoke: Palgrave, 2009)CrossRefGoogle Scholar.
10 A term given currency in the 1990s by the work of Peggy Phelan – see Unmarked: The Politics of Performance (Abingdon: Routledge, 1993)Google Scholar.
Wiles supplementary material 1
