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Article contents
The Editor of Works-in-Progress
Published online by Cambridge University Press: 07 March 2019
Extract
For me Hazem Azmy was not only a very close friend, despite the infrequency of our in-person meetings, but also the interlocutor who provoked some of my best work. His questions, his challenges, his invitations and the publications he edited have inspired and deepened almost everything I have written about Arab theatre over the past ten years. They provoke me still.
- Type
- In remembrance of Hazem Azmy (1967–2018)
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- Copyright
- Copyright © International Federation for Theatre Research 2019
References
Notes
1 Azmy, Hazem, ‘Egypt’, in Wiles, David and Dymkowski, Christine, eds., Cambridge Companion to Theatre History (Cambridge: Cambridge University Press, 2012), pp. 116–35CrossRefGoogle Scholar.
2 See Hazem Azmy, Staging Egypt on the Global Stage: Egyptian Performance from 9/11 to the Arab Spring (Palgrave, forthcoming).
3 See Azmy, Hazem, ‘Egypt between Two Shakespeare Quadricentennials 1964 through 2016: Reflective Remarks in Three Snapshots’, Critical Survey, 28, 3 (November 2016), pp. 102–18CrossRefGoogle Scholar.
4 Azmy, Hazem and Carlson, Marvin, eds., Performing Islam/Muslim Realities, special issue, Ecumenica: Journal of Theatre and Performance, 1, 2 (Fall 2008)Google Scholar; Azmy, Hazem and Carlson, Marvin, eds., Theatre and the Arab Spring, special issue, Theatre Research International, 38, 2 (July 2013)Google Scholar.
5 Hazem Azmy, personal communication, 18 July 2016.