Hostname: page-component-745bb68f8f-f46jp Total loading time: 0 Render date: 2025-01-08T08:46:01.554Z Has data issue: false hasContentIssue false
  • English
  • Français

Dossier–Theatrical Vestiges: Material Remains and Theatre Historiography: Introduction

Published online by Cambridge University Press:  04 November 2020

T. SOFIE TAUBERT  and
RUTHIE ABELIOVICH
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Dossier–Theatrical Vestiges: Material Remains and Theatre Historiography
Information
Theatre Research International , Volume 45 , Issue 3 , October 2020 , pp. 297 - 302
Copyright
Copyright © International Federation for Theatre Research 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

NOTES

1 See Theatre Journal's special issue on Theatre and Material Culture, 64, 3 (2012).

2 Schneider, Rebecca, Performing Remains: Art and War in Times of Theatrical Reenactment (London: Routledge, 2011)CrossRefGoogle Scholar.

3 Knowles, Ric, Reading the Material Theatre (Cambridge: Cambridge University Press, 2008), p. 11Google Scholar.

4 Connor, Steven, Paraphernalia: The Curious Lives of Magical Things (London: Profile Books Ltd, 1996), p. 3Google Scholar. Connor's understanding of affordance is shaped by J. J. Gibson, who coined the term to discuss the formation of perception regarding objects and their relation to the environment. See Gibson, J. J., The Ecological Approach to Visual Perception (Hillsdale, NJ: Lawrence Erlbaum, 1986), pp. 127–46Google Scholar.

5 Bennett, Jane, Vibrant Matter: A Political Ecology of Things (Durham, NC: Duke University Press, 2010), p. viiiCrossRefGoogle Scholar.

6 Posner, Dassia N., Orenstein, Claudia and Bell, John, eds. The Routledge Companion to Puppetry and Material Performance (London: Routledge, 2014), p. 5CrossRefGoogle Scholar.

7 Ibid.

8 Johnson, Odai, ‘Afterword – Scarred Texts: Etudes of Absence’ in Johnson, Stephen (ed.), A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective (New York: Theatre Library Association, 2011), pp. 336–44Google Scholar, here p. 340.