No CrossRef data available.
Article contents
Books received
Published online by Cambridge University Press: 01 March 2008
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

- Type
- Books Received
- Information
- Copyright
- Copyright © International Federation for Theatre Research 2008
References
ALBRECHT, ERNEST, The Contemporary Circus: Art of the Spectacular. Lanham e.a.: Scarecrow, 2006. Pp. xiv + 262. $60/£39 Pb.Google Scholar
BARKER, ROBERTA, Early Modern Tragedy: Gender and Performance 1984–2000: The Destined Livery. Basingstoke: Palgrave Macmillan, 2007. Pp. xii + 238. £45 Hb.CrossRefGoogle Scholar
BEN-ZVI, LINDA and DAVIS, TRACY C., eds., Considering Calamity: Methods for Performance Research. Tel Aviv: Assaph, 2007. Pp. 222. No price information given.Google Scholar
BIRCHWOOD, MATTHEW, Staging Islam in England: Drama and Culture, 1640–1685. Cambridge: D. S. Brewer, 2007. Pp. viii + 200. £50/$85 Hb.Google Scholar
BÖKER, UWE, DETMERS, INES and GIOVANOPOULOS, ANNA-CHRISTINA, eds., John Gay's The Beggar's Opera 1728–2004: Adaptations and Re-writings. Amsterdam and New York: Rodopi, 2006. Pp. 347. €70/$95 Hb.Google Scholar
BROADHURST, SUSAN, Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Basingstoke: Palgrave Macmillan, 2007. Pp. 232 + illus. £45 Hb.CrossRefGoogle Scholar
BUTTERWORTH, PHILIP, ed., The Narrator, the Expositor, and the Prompter in European Medieval Theatre. Turnhout: Brepols, 2007. Pp. xiv + 346 + illus. €80 Hb.CrossRefGoogle Scholar
CHEN, FAN PEN LI, The Chinese Shadow Theatre: History, Popular Religion, and Women Warriors. Montreal e.a.: McGill-Queen's University Press, 2007. Pp. xii + 344 + illus. £41 Hb.Google Scholar
CHENEY, PATRICK, ed., The Cambridge Companion to Shakespeare's Poetry. Cambridge: Cambridge University Press, 2007. Pp. xviii + 296. £15.99/24.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
COUSIN, GERALDINE, Playing for Time: Stories of Lost Children, Ghosts and the Endangered Present in Contemporary Theatre. Manchester: Manchester University Press, 2007. Pp. 174. £50 Hb.CrossRefGoogle Scholar
CSAPO, ERIC and MILLER, MARGARET C., eds., The Origins of Theater in Ancient Greece and beyond: From Ritual to Drama. Cambridge: Cambridge University Press, 2007. Pp. xxii +440 + illus. £50/$90 Hb.Google Scholar
FORDHAM, KIM, Trials and Tribunals in the Dramas of Heinrich von Kleist. Oxford, Bern e.a.: Peter Lang, 2007. Pp. 153. SFR 58/€39.50/£24/$47.95.Google Scholar
GOVAN, EMMA, NICHOLSON, HELEN and NORMINGTON, KATIE, Making a Performance: Devising Histories and Contemporary Practices. Abingdon and New York: Routledge, 2007. Pp. viii +216. £16.99/$26.95 Pb.Google Scholar
HENKE, CHRISTOPH and MIDDEKE, MARTIN, eds., Drama and/after Postmodernism. Trier: Wissenschaftlicher Verlag, 2007. Pp. 396. €35 Pb.Google Scholar
KANFER, STEFAN, The Voodoo that They Did so Well: The Wizards Who Invented the New York Stage. Chicago: Ivan R. Dee, 2007. Pp. 232. $24.95/£15.99 Hb.Google Scholar
KATRITZKY, M. A., Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Perfoming Quacks. Aldershot: Ashgate, 2007. Pp. xvi + 368 + illus. £55 Hb.Google Scholar
KERWIN, WILLIAM, Beyond the Body: The Boundaries of Medicine and English Renaissance Drama. Amherst and Boston: University of Massachusetts Press, 2005. Pp. 290. $34.95 Hb.Google Scholar
LADA-RICHARDS, ISMENE, Silent Eloquence: Lucian and Pantomime Dancing. London: Duckworth, 2007. Pp. 240 +illus. £16.99 Pb.Google Scholar
LEVITH, MURRAY J., Shakespeare's Cues and Prompts. London and New York: Continuum, 2007. Pp. x + 108. £45 Hb.Google Scholar
LINDFORS, BERNTH, ed., Ira Aldridge: The African Roscius. Rochester, NY: University of Rochester Press, 2007. Pp. xii + 288. £30/$50 Hb.Google Scholar
MCDERMID, PAUL, Love, Desire and Identity in the Theatre of Federico García Lorca. Woodbridge: Tamesis, 2007. Pp. 218. £50/$85 Hb.Google Scholar
MCNEILL, FIONA, Poor Women in Shakespeare. Cambridge: Cambridge University Press, 2007. Pp. xii + 256. £50/$90 Hb.Google Scholar
MANDALA, SUSAN, Twentieth-Century Drama Dialogue as Ordinary Talk: Speaking between the Lines. Aldershot: Ashgate, 2007. Pp. xiv + 138. £45 Hb.Google Scholar
MUIR, LYNETTE R., Love and Conflict in Medieval Drama: The Plays and their Legacy. Cambridge: Cambridge University Press, 2007. Pp. xvi + 294. £50/$90 Hb.Google Scholar
RITCHIE, CHRIS, The Idler and the Dandy in Stage Comedy, 500 BC–1830: A History of a Dramatic Character Type. Lewiston, NY: Edwin Mellen Press, 2007. Pp. 200. $99.95/£64.95 Hb.Google Scholar
RUBIN, LEON and SEDANA, I NYOMAN, Performance in Bali. Abingdon and New York: Routledge, 2007. Pp. xiv + 160. £60 Hb.CrossRefGoogle Scholar
RUSSELL, GILLIAN, Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007. Pp. xiv + 290 + illus. £50/$90 Hb.Google Scholar
SHAUGHNESSY, ROBERT, ed., The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007. Pp. x + 292. £15.99/$24.99 Pb; £45/$85 Hb.CrossRefGoogle Scholar
SILVESTRI, AGNESE, René Kalisky: Une Poétique de la répétition. Bruxelles, Bern, e.a.: PIE-Peter Lang, 2006. Pp. 415. €42.90/£27.90/$55.95 Pb.Google Scholar
SOKALSKI, J. A., Pictorial Illusionism: The Theatre of Steele MacKaye. Montreal e.a.: McGill-Queen's University Press, 2007. Pp. xvi +316 + illus. £30 Hb.Google Scholar
SOSULSKI, MICHAEL J., Theater and Nation in Eighteenth-Century Germany. Aldershot: Ashgate, 2007. Pp. xii + 180. £50 Hb.Google Scholar
STONEMAN, PATSEY, Jane Eyre on Stage, 1848–1898: An Illustrated Edition of Eight Plays with Contextual Notes. Aldershot: Ashgate, 2007. Pp. 452 + illus. $99.95/£55 Hb.Google Scholar
THOMSON, PETER and SACKS, GLENDYR, eds., The Cambridge Companion to Brecht. Second Edition. Cambridge: Cambridge University Press, 2006. Pp. xxviii + 334 + illus. £15.99/$24.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
THORPE, ASHLEY, The Role of the Chou (‘Clown’) in Traditional Chinese Drama: Comedy, Criticism, and Cosmology on the Chinese Stage. Lewiston, NY: Edwin Mellen Press, 2007. Pp. 360 + illus. $119.95/£74.95 Hb.Google Scholar
WALLACE, JENNIFER, The Cambridge Introduction to Tragedy. Cambridge: Cambridge University Press, 2007. Pp. viii + 244 + illus. £14.99/$22.99 Pb; £40/$75 Hb.Google Scholar
ZENETTI, THOMAS, Du Texte-hydre au texte-sphinx: Les Inserts dans le théâtre de Heiner Müller. Bern, Berlin, e.a.: Peter Lang, 2007. Pp. xvi + 365. SFR 97/€66.30/£43.40/$73.95 Pb.Google Scholar