Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-06T13:01:06.320Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  30 August 2011

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 3 , October 2011 , pp. 308 - 309
Copyright
Copyright © International Federation for Theatre Research 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.CrossRefGoogle Scholar
BAY-CHENG, SARAH, Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010. Pp. 304. £27.50/$39.95 Pb.CrossRefGoogle Scholar
BAYLY, SIMON, A Pathogamy of Performance. Basingstoke: Palgrave Macmillan, 2011. Pp. 256. £55 Hb.CrossRefGoogle Scholar
BENNETT, MICHAEL Y., Reassessing the Theatre of the Absurd Camus, Beckett, Ionesco, Genet, and Pinter. New York: Palgrave Macmillan, 2011. Pp. 190. £52/$80 Hb.CrossRefGoogle Scholar
BURNETT, MARK THORNTON AND STREETE, ADRIAN. Filming and Performing Renaissance History. Houndmills: Palgrave Macmillan, 2011. Pp. 208. £52/$80 Hb.CrossRefGoogle Scholar
BUSH-BAILEY, GILLI, Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester: Manchester University Press. Pp. 224. £55 Hb.Google Scholar
CAMPBELL, KEN, The Great Caper. London: Nick Hern Books, 2011. Pp. 268. £14.99 Pb.Google Scholar
COLE, CATHERINE M., Performing South Africa's Truth Commission: Stages of Transition. Bloomington: Indiana University Press, 2010. Pp. 264. £49/$65 Hb; £16.99/$24.95 Pb.Google Scholar
CUDER-DOMINGUEZ, PILAR, Stuart Women Playwrights 1613–1713. Farnham: Ashgate, 2010. Pp. 158. £50 Hb.Google Scholar
DOWD, MICHELLE M. AND KORDA, NATASHA, eds., Working Subjects in Early Modern English Drama. Farnham: Ashgate, 2011. Pp. 310. £65 Hb.Google Scholar
DUNCAN-JONES, KATHERINE, Shakespeare: Upstart Crow to Sweet Swan. 1592–1623. London: Methuen, 2011. Pp. 320. £55 Hb.CrossRefGoogle Scholar
FISCHER, IRIS S., Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: The University of Michigan Press, 2011. Pp. 298. £53.50/$60 Hb.CrossRefGoogle Scholar
FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, Global Ibsen: Performing Multiple Modernities. New York: Routledge, 2011. Pp. 292. £80/$125 Hb.Google Scholar
FRAYLING, CHRISTOPHER, On Craftsmanship: Towards a New Bauhaus. London: Oberon, 2011. Pp. 160. £9.99 Hb.Google Scholar
GEORGE, DAVID, Sergi Belbel and Catalan Theatre: Text, Performance and Identity. Woodbridge: Tamesis, 2011, Pp. vii + ix + 215. £50 Hb.Google Scholar
GILL, CATIE, ed., Theatre and Culture in Early Modern England 1650–1737: From Leviathan to Licensing Act. Farnham: Ashgate, 2010. Pp. 190. £55 Hb.Google Scholar
GROVER-FRIEDLANDER, MICHAEL, Operatic Afterlives. Brooklyn: Zone Books, 2011. Pp. 272 + 8 illus. £22.95/$29.95 Hb.Google Scholar
HILLMAN, RICHARD, French Origins of English Tragedy. Manchester, Manchester University Press, 2010. Pp. 111. £50 Hb.CrossRefGoogle Scholar
JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester: Manchester University Press, 2011. Pp. 288. £55/$90 Hb.Google Scholar
JACKSON, SHANNON, Social Works: Performing Art, Supporting Publics. London and New York: Routledge, 2011. Pp. 310. £21.99 Pb; £65 Hb.Google Scholar
JANNARONE, KIMBERLY, Artaud and His Doubles. Ann Arbor: University of Michigan Press, 2010. Pp. 272. £48.95/$55 Hb.CrossRefGoogle Scholar
LEV-ALADGEM, SHULAMITH, Theatre in the Co-communities. Basingstoke: Palgrave/Macmillan, 2010. Pp. 200. £50 Hb.CrossRefGoogle Scholar
MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett. London and New York, Routledge, 2010. Pp. 186. £85 Hb.Google Scholar
MADHAVI, MENON, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham, NC: Duke University Press, 2011. Pp. 512 + 18 illus. £18.95/$27.95 Pb; £75/$99.95 Hb.Google Scholar
NADEN, CORINNE J., The Golden Age of American Musical Theatre. Lanham, MD: The Scarecrow Press, 2011. Pp. 274. $39.95 Hb.Google Scholar
O'QUINN, DANIEL, Entertaining Crisis in the Atlantic Imperium, 1770–1790. Baltimore: The Johns Hopkins University Press, 2011. Pp. 440. £39/$75 Hb.Google Scholar
PAILER, GABY AND SCHOBLER, FRANZISKA, GeschechterSpielRaume. Dramatik, Theater, Performance und Gender. Amsterdam and New York: Rodopi, 2011. Pp. 374. €75/$113 Hb.Google Scholar
PARKER, REEVE, Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley. Cambridge: Cambridge University Press, 2011. Pp. x + 300. £60/$99 Hb.CrossRefGoogle Scholar
REDMAN JONES, MIKE, Radical Pastoral 1381–1594. Appropriation and the Writing of Religious Controversy. Farnham: Ashgate, 2010. Pp. 204. £55 Hb.Google Scholar
RIVERA-SERVERA, RAMON H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke: Palgrave Macmillan, 2010. Pp. 296. £55 Hb.Google Scholar
ROGERSON, MARGARET, ed., The York Plays. Performance in the City. York, York Medieval Press, 2011. Pp. 266. £50 Hb.Google Scholar
ROSELLI, DAVID K., Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press, 2011. Pp. 362 + 11 illus. £37/$55 Hb.Google Scholar
SAS, MIRIAM, Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return. Cambridge, MA: Harvard University Asia Center. Pp. 275. £33.95/$39.95 Hb.Google Scholar
SCHNEEMANN, CAROLEE AND STILES, KRISTINE, Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £75/$99.95 Hb; £19.99/$29.95 Pb.Google Scholar
SCHNEIDER, REBECCA, Performing Remains. London and New York: Routledge, 2011. Pp. 260. £16.99 Pb; £75 Hb.Google Scholar
SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke: Palgrave Macmillan, 2010. Pp. 240. £50 Hb.Google Scholar
SOANS, ROBIN, Deep Heat: Encounters with the Famous, the Infamous and the Unknown. London: Oberon, 2011. Pp. 128. £10.99 Pb.Google Scholar
SULLIVAN, JILL A., The Politics of the Pantomime: Regional Identity in the Theatre, 1860–1900. Hatfield: University of Hertfordshire Press, 2011. Pp. x + 270. £25/$50 Hb; £14.99/$29.95 Pb.Google Scholar
TRIBBLE, EVELYN B., Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. New York: Palgrave Macmillan, 2011. Pp. 216. £52/$80 Hb.CrossRefGoogle Scholar
TURK, EDWARD BARON, French Theatre Today: The View from New York, Paris, and Avignon. Iowa City: University of Iowa Press, 2011. Pp. 400. £30.50/$34.95 Pb.Google Scholar
VOLPP, SOPHIE, Worldly Stage: Theatricality in Seventeenth-Century China. Cambridge, MA: Harvard University Asia Center. Pp. 371. £28.95/$44.95 Hb.Google Scholar
WERTH, BRENDA G., Theatre, Performance, and Memory Politics in Argentina. New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.CrossRefGoogle Scholar
WILES, DAVID, Theatre and Citizenship: The History of a Practice. Cambridge: Cambridge University Press, 2011. Pp. viii + 258. £55/$90 Hb.Google Scholar