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The Play-Text, Theatrical Dynamics and the Status Interaction

Published online by Cambridge University Press:  23 January 2009

D. Keith Peacock
D. Keith Peacock
Affiliation:
D. Keith Peacock is lecturer in Drama, University of Hull.
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Type
Articles
Information
Theatre Research International , Volume 9 , Issue 1 , Spring 1984 , pp. 39 - 49
Copyright
Copyright © International Federation for Theatre Research 1984

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References

Notes

1. Elam, Keir, The Semiotics of Theatre and Drama (Methuen: London, 1980)CrossRefGoogle Scholar and Bassnett-McGuire, Susan, ‘An Introduction to Theatre Semiotics’, Theatre Quarterly, X.38.1980.Google Scholar

2. Bassnett-McGuire, , op. cit., p. 50.Google Scholar

3. Beckerman, Bernard, ‘Dramatic Theory and Stage Practice’, in Knauf, D. M., ed., Papers in Dramatic Theory and Criticism, University of Iowa Press: Iowa City, 1967), p. 35.Google Scholar

4. Elam, , op. cit., p. 209.Google Scholar

5. Beckerman, Bernard, ‘Theatrical Perception’, Theatre Research International, IV.3.05 1979, p. 160.Google Scholar

6. Ibid.

7. Ibid.

8. Ibid., p. 163.

9. Johnstone, Keith, Impro: Improvisation and the Theatre (Faber: London, 1979).Google Scholar

10. Hall, Edward T., The Silent Language (Anchor Books edn.: New York, 1973), p. 39.Google Scholar

11. Beckerman, , ‘Theatrical Perception’, p. 159.Google Scholar

12. See Laban, Rudolf, The Mastery of Movement, 3rd edn., rev. & enl. by Ullmann, Lisa (Macdonald & Evans: London, 1971).Google Scholar

13. Birdwhistell, Ray L., Kinesics and Context: Essays on Body-Motion Communication (Penguin: Harmondsworth, 1971), p. 158.Google Scholar