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Liveness: Performance in a Mediatized Culture. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.

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Liveness: Performance in a Mediatized Culture. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.

Published online by Cambridge University Press:  06 October 2022

Seda Ilter
Seda Ilter*
Affiliation:
Birkbeck College, University of London, [email protected]
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Abstract

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Type
Double Take
Information
Theatre Research International , Volume 47 , Issue 3 , October 2022 , pp. 311 - 314
Copyright
Copyright © International Federation for Theatre Research 2022

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References

NOTES

1 Auslander, Philip, ‘Digital Liveness: A Historico-Philosophical Perspective’, PAJ, 34, 3 (2012), pp. 3–11Google Scholar.

2 Wilcox, Dean, ‘Liveness: Performance in a Mediatized Culture. By Philip Auslander’, Theatre Research International, 25, 1 (Spring 2000), pp. 98–9CrossRefGoogle Scholar, here p. 98.

3 Phelan, Peggy, Unmarked: The Politics of Performance (London and New York: Routledge, 1993), p. 146Google Scholar.

4 Bottoms, Stephen, ‘Double Take: Unmarked: The Politics of Performance. By Peggy Phelan’, Theatre Research International, 45, 2 (July 2020), pp. 209–12Google Scholar, here p. 211.

5 Auslander, ‘Digital Liveness’, p. 8.

6 Ibid., p. 10.

7 Causey, Matthew, ‘Postdigital Performance’, Theatre Journal, 68, 3 (September 2016), pp. 427–41CrossRefGoogle Scholar, here pp. 428, 432 and 430–1.

8 Ibid., p. 432.

9 Auslander, Philip, ‘Pandemic Proceedings: Legal Performance in the Time of Covid-19’, PAJ, 43, 3 (September 2021), pp. 77–86Google Scholar, here p. 78.

10 Ibid., p. 84.