Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-25T05:19:41.508Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  27 May 2010

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 35 , Issue 2 , July 2010 , pp. 215 - 217
Copyright
Copyright © International Federation for Theatre Research 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ALLARD, JAMES ROBERT AND MARTIN, MATHEW R., eds., Staging Pain, 1580–1800: Violence and Trauma in British Theatre. Farnham and Burlington: Ashgate, 2009. Pp. xii +220. £55/$99.95 Hb.Google Scholar
ASLAN, ODETTE, Paris: Capitale mondiale du théâtre. Paris: CNRS, 2009. Pp. 336. €49 Hb.Google Scholar
ASTON, ELAINE AND DIAMOND, ELIN, eds., Companion to Caryl Churchill. Cambridge: Cambridge University Press, 2009. Pp. xvi + 194. £17.99/$29.99 Pb; £45/$78 Hb.CrossRefGoogle Scholar
BARBA, EUGENIO, On Directing and Dramaturgy: Burning the House. Abingdon and New York: Routledge, 2009. Pp. 303. £19.99/$31.95 Pb; £65/$110 Hb.Google Scholar
BEUMERS, BIRGIT AND LIPOVETSKY, MARK, Performing Violence: Literary and Theatrical Experiments of New Russian Drama. Bristol: Intellect, 2009. Pp. 224. £14.95/$25 Pb.Google Scholar
BUCHANAN, JUDITH, Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press, 2009. Pp. xxiv + 316. £55/$99 Hb.Google Scholar
BURRIDGE, STEPHANIE AND FRUMBERG, FRED, Beyond the Apsara: Celebrating Dance in Cambodia. New Delhi: Routledge India, 2009. Pp. 242. £55 Hb.Google Scholar
BUTTERWORTH, JO AND WILDSCHUT, LIESBETH, eds., Contemporary Choreography: A Critical Reader. Abingdon and New York: Routledge, 2009. Pp. 480. £21.99/$35.95 Pb; £70/$125 Hb.Google Scholar
CHAKRAVORTY, PALLABI AND GUPTA, NILANJANA, eds., Dance Matters: Performing India on Local and Global Stages. New Delhi and Florence, KY: Routledge India, 2009. Pp. 312. £55/$95 Hb.Google Scholar
CHARNEY, MAURICE, Wrinkled Deep in Time: Aging in Shakespeare. New York: Columbia University Press, 2009. Pp. 192. £20.75/$29.50 Pb.CrossRefGoogle Scholar
CRAIG, HUGH AND KINNEY, ARTHUR F., Shakespeare, Computers, and the Mystery of Authorship. Cambridge: Cambridge University Press, 2009. Pp. xx + 234. £55/$90 Hb.CrossRefGoogle Scholar
DORNEY, KATE, The Changing Language of Modern English Drama, 1945–2005. Basingstoke and New York: Palgrave, 2009. Pp. x + 250. £50/$80 Hb.CrossRefGoogle Scholar
DUBOR, FRANÇOISE AND TRIAU, CHRISTOPHE, eds., Monologuer: Pratiques du discourse solitaire au théâtre. Rennes: Presses Universitaire, 2009. Pp. 312. €18 Pb.Google Scholar
ELFERT, JENNIFER, Theaterfestivals: Geschichte und Kritik eines kulturellen Organisationsmodells. Bielefeld: Transcript, 2009. Pp. 406. €34.80 Pb.CrossRefGoogle Scholar
ELLIS, ANTHONY, Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. Farnham and Burlington: Ashgate, 2009. Pp. xii +190. £55/$99.95 Hb.Google Scholar
EWANS, MICHAEL, Wagner and Aeschylus: The Ring and the Oresteia. Cambridge: Cambridge University Press, 2009. Pp. 272. £14.99/$27.99 Pb; £60/$110 Hb.Google Scholar
FIX, FLORENCE AND TOUDOIRE-SURLAPIERRE, FRÉDÉRIQUE, Le Choeur dans le théâtre contemporain: 1970–2000. Dijon: Ed. Universitaires de Dijon, 2009. Pp. 240. €20 Pb.Google Scholar
FRIESEN, RYAN CURTIS, Supernatural Fiction in Early Modern Drama and Culture. Brighton e.a.: Sussex Academic Press, 2010. Pp. x + 250. £49.95/$74.95 Hb.Google Scholar
FRIEZE, JAMES, Naming Theatre: Demonstrative Diagnosis in Performance. Basingstoke and New York: Palgrave, 2009. Pp. viii + 216. £50/$80 Hb.CrossRefGoogle Scholar
GAUTHIER, BRIGITTE, Le Langage chorégraphique de Pina Bausch. Paris: L'Arche, 2009. Pp. 224. €16 Pb.Google Scholar
GAUTHIER, BRIGITTE, ed., Viva Pinter: Harold Pinter's Spirit of Resistance. Oxford, Bern e.a.: Peter Lang, 2009. Pp. xii + 246. €31/£31/$48.95 Pb.Google Scholar
GORDON, MEL, Stanislavsky in America: An Actor's Workbook. Abingdon and New York: Routledge, 2009. Pp. 208. £16.99/$27.95 Pb; £55/$88 Hb.Google Scholar
HAMMOND, PAUL, The Strangeness of Tragedy. Oxford: Oxford University Press, 2009. Pp. 216. £30/$55 Hb.CrossRefGoogle Scholar
HEULET-PETIT, FRANÇOISE AND MICHEL, LISE, eds., La Reconnaissance sur la scène française: XVII–XXI siècle. Arras: Artois Presses Université, 2009. Pp. 266. €22 Pb.Google Scholar
JESTROVIC, SILVIJA AND MEERZON, YANA, eds., Performance, Exile and ‘America’. Basingstoke and New York: Palgrave, 2009. Pp. xiv + 266. £50/$79.95 Hb.CrossRefGoogle Scholar
KENNEDY, REBECCA FUTO, Athena's Justice: Athena, Athens and the Concept of Justice in Greek Tragedy. New York, Bern e.a.: Peter Lang, 2009. Pp. xiv + 169. €44.90/£48/$74.95 Hb.Google Scholar
KLEIN, CHRISTIAN, ed., Théâtre et politique dans l'espace germanophone contemporain. Paris: L'Harmattan, 2009. Pp. 260. €23.50 Pb.Google Scholar
LEAHY, KATH, Lords & Larrikins: The Actor's Role in the Making of Australia. Sydney: Currency House, 2009. Pp. x + 246 + illus. AU$54.95 Hb; $34.95 Pb.Google Scholar
LEON, MECHELE, Molière, the French Revolution and the Theatrical Afterlife. Iowa City: University of Iowa Press, 2009. Pp. 184 + illus. $39.95 Hb.Google Scholar
MALKIN, JEANETTE R. AND ROKEM, FREDDIE, Jews and the Making of Modern Theatre. Iowa City: University of Iowa Press, 2010. Pp. 336. £41.50/$49.95 Hb.Google Scholar
MARTIN, CAROL, ed., Dramaturgy of the Real on the World Stage. Basingstoke and New York: Palgrave, 2010. Pp. xviii + 310. £55/$90 Hb.CrossRefGoogle Scholar
MATZKE, CHRISTINE AND OKAGBUE, OSITA, eds., African Theatre Diasporas. Woodbridge and Rochester, NY: James Currey, 2009. Pp. xx + 170. £17.99/$34.95 Pb.Google Scholar
MCKENZIE, JON, ROMS, HEIKE AND WEE, C. J. W. L., eds., Contesting Performance: Global Sites of Research. Basingstoke and New York: Palgrave, 2010. Pp. xx + 262. £55/$80 Hb.CrossRefGoogle Scholar
MCKINNEY, JOSLIN AND BUTTERWORTH, PHILIP, Introduction to Scenography. Cambridge: Cambridge University Press, 2009. Pp. xvi + 238. £15.99/$28.99 Pb; £45/$80 Hb.CrossRefGoogle Scholar
MORIN, EMILIE, Samuel Beckett and the Problem of Irishness. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xii + 224. £50/$75 Hb.Google Scholar
OOST, REGINA B., Gilbert and Sullivan: Class and the Savoy Tradition, 1875–1896. Farnham and Burlington, VT: Ashgate, 2009. Pp. xii + 168. £50/$99.95 Hb.Google Scholar
POUILLAUDE, FREDERIC, Le Désoeuvrement chorégraphique: Etude sur la notion d'oeuvre en danse. Paris: Vrin, 2009. Pp. 432. €30 Pb.Google Scholar
POWELL, KERRY, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde. Cambridge: Cambridge University Press, 2009. Pp. 214. £55.00/$90 Hb.Google Scholar
PURCELL, STEPHEN, Popular Shakespeare: Simulation and Subversion on the Modern Stage. Basingstoke and New York: Palgrave, 2009. Pp. x + 262. £50/$80 Hb.CrossRefGoogle Scholar
ROBINSON, MICHAEL, ed., Companion to August Strindberg. Cambridge: Cambridge University Press, 2009. Pp. xxxvi + 188. £17.99/$29.99 Pb; £55/$90 Hb.CrossRefGoogle Scholar
SATZ, AURA AND WOOD, JON, eds., Articulate Objects: Voice, Sculpture and Performance. Oxford, Bern e.a.: Peter Lang, 2009. Pp. 300 + illus. €37.50/£35/$54.95 Pb.Google Scholar
SAWYER, ROBERT, SWINDELLS, JULIA, TAYLOR, DAVID FRANCIS AND FOULKES, RICHARD, eds., Lives of Shakespearian Actors, Part III: Charles Kean, Samuel Phelps and William Charles Macready by their Contemporaries. London: Pickering & Chatto, 2010. 3 Vols. Pp. 1016. £275.00/$495.00 Hb.Google Scholar
SHEPHERD, SIMON, Introduction to Modern British Theatre. Cambridge: Cambridge University Press, 2009. Pp. xvi + 250. £15.99/$27.99 Pb; £45/$78 Hb.Google Scholar
SHEVTSOVA, MARIA, Sociology of Theatre and Performance. Verona: Qui Edit, 2009. Pp. 395. €25 Pb.Google Scholar
SIEGEL, MARCIA B., Mirrors and Scrims: The Life and Afterlife of Ballet. Middletown, CT: Wesleyan University Press, 2010. $27.95 Pb; $85 Hb.Google Scholar
SINGH, LATA, Play-House of Power: Theatre in Colonial India. New Delhi and Oxford: Oxford University Press India, 2009. Pp. 362. RS895/£34.99 Hb.Google Scholar
STRATEN, FRANK VAN, Florence Young and the Golden Years of Australian Musical Theatre. Mornington, Vic: Beleura/The Tallis Foundation, 2009. Pp. 175 + illus. AU$25 Hb.Google Scholar
THOMPSON, PETER E., The Outrageous Juan Rana Entremeses: A Bilingual and Annotated Selection of Plays Written for This Spanish Golden Age Gracioso. Toronto: University of Toronto Press, 2009. Pp. 272. £42/$65 Hb.CrossRefGoogle Scholar
WATZKA, STEFANIE AND MARX, PETER W., eds., Berlin auf dem Weg zur Theaterhauptstadt: Theaterstreitschriften zwischen 1869 und 1914. Tübingen: Francke, 2009. Pp. 408. €68 Hb.Google Scholar
WILLIAMSON, ELIZABETH, The Materiality of Religion in Early Modern English Drama. Farnham and Burlington: Ashgate, 2009. Pp. x + 232. £55/$99.95 Hb.Google Scholar
WILSON, MEREDITH, And There I Stood with My Piccolo. Minneapolis: University of Minnesota Press, 2009. Pp. 256. £9.50/$14.95 Pb.Google Scholar
WILSON, MEREDITH, “But He Doesn't Know the Territory”. Minneapolis: University of Minnesota Press, 2009. Pp. 256. £9.50/$14.95 Pb.Google Scholar
ZIOLKOWSKI, THEODORE, Scandal on Stage: European Theater as Moral Trial. Cambridge: Cambridge University Press, 2009. Pp. 202. £50/$85 Hb.CrossRefGoogle Scholar