Hostname: page-component-5cf477f64f-n7lw4 Total loading time: 0 Render date: 2025-04-07T16:06:41.791Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  01 July 2007

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 32 , Issue 2 , July 2007 , pp. 211 - 213
Copyright
Copyright © International Federation for Theatre Research 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ALICIA, ARRIZÓNQueering Mestizaja: Transculturation and Performance. Ann Arbor: University of Michigan Press, 2006. Pp. 246 + illus. US-$28.95/£14.75 Pb.Google Scholar
BALME, CHRISTOPHER B., Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. Basingstoke: Palgrave Macmillan, 2006. Pp. xiv +256. £50 Hb.Google Scholar
BANES, SALLY and LEPECKI, ANDRÉ, eds., The Senses in Performance. Abingdon and New York: Routledge, 2007. Pp. xii + 216. £21.99/US-$33.95 Pb.Google Scholar
BRADBY, DAVID and CALDER, ANDREW, eds., The Cambridge Companion to Molière. Cambridge: Cambridge University Press, 2006. Pp. xx + 242 + illus. £17.99/ US-$29.99 Pb; £45/US-$75 Hb.Google Scholar
BUCKLEY, MATTHEW S., Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama. Baltimore: Johns Hopkins UP, 2006. Pp. 191 +illus. US-$49.95 Hb.Google Scholar
BURNETT, MARK THORNTON and WRY, RAMONA, eds., Screening Shakespeare in the Twenty-First Century. Edinburg: Edinburgh University Press, 2006. Pp. vi +218. £17.99 Pb; £50 Hb.Google Scholar
MARVIN, CARLSONSpeaking in Tongues: Languages at Play in the Theatre. Ann Arbor: University of Michigan Press, 2006. Pp. 264. US-$50/£26 Hb.Google Scholar
CASE, SUE-ELLEN, Performing Science and the Virtual. Abingdon and New York: Routledge 2006. Pp: xii +246 + illus. £18.99 Pb.; £65 Hb.Google Scholar
DERMOT, CAVANAGHHAMPTON-REEVES, STUART and LONGSTAFFE, STEPHEN, eds., Shakespeare's Histories and Counter-Histories. Manchester: Manchester University Press, 2006. Pp. 272. £50 Hb.Google Scholar
JUDIE, CHRISTIEGOUGH, RICHARD, and PETER WATT, DANIEL, A Performance Cosmology. Abingdon and New York: Routledge, 2006. Pp. 400. £29.99 Pb.Google Scholar
DAVIS, GEOFFREY V. and FUCHS, ANNE, eds., Staging New Britain: Aspects of Black and South Asian British Theatre Practice. Bruxelles, Bern e.a.: Peter Lang, 2006. Pp. 350 + illus. €27.70/£18.10/US-$30.95 Pb.Google Scholar
DEWHURST, KEITH and SHEPHERD, JACK, Impossible Plays: Adventures with the Cottesloe Company. London: Methuen, 2006. Pp. xviii + 236 + 18 illus. £16.99 Pb.Google Scholar
JANETTE, DILLONThe Cambridge Introduction to Early English Theatre. Cambridge: Cambridge University Press, 2006. Pp. xiv + 296 + illus. £14.99/US-$24.99 Pb.; £40/US-$75 Hb.Google Scholar
ÉLYSE, DUPRASDiables et Saints: Rôle des diables dans les mystères hagiographiques français. Genève: Droz, 2006. Pp. 464. CHF75 Pb.Google Scholar
MICHAEL, ETHERTON ed., African Theatre Youth, Oxford: James Currey, 2006. Pp. xiv + 272. £14.95 Pb.Google Scholar
FINDLAY, ALISON, Playing Spaces in Early Women's Drama. Cambridge: Cambridge University Press, 2006. Pp. x + 260 + illus. £48/US-$85 Hb.Google Scholar
RICHARD, FOTHERINGHAM ed., Australian Plays for the Colonial Stage 1834–1899. Music used in the plays edited by Angela Turner. Brisbane: University of Queensland Press, 2006. Pp. lxxxvi + 734 + illus. AUD$80 Pb.Google Scholar
KATHARINE, GOODLANDFemale Mourning and Tragedy in Medieval and Renaissance Drama: From the Raising of Lazarus to King Lear. Burlington, Vt.: Ashgate, 2006. Pp. 254. US-$94.95 Hb.Google Scholar
WILLIAM, GRANGEHistorical Dictionary of German Theater. Lanham, Toronto e.a.: Scarecrow, 2006. Pp. lxx + 398. US-$ 95/£62 Hb.Google Scholar
BARRY, GRANTHAMCommedia Plays: Scenarios, Scripts, Lazzi. London: Nick Hern, 2006. Pp. xvi + 272. £12.99 Pb.Google Scholar
HANEY, II., WILLIAM, S., Postmodern Theater and the Void of Conceptions. Newcastle-upon-Tyne: Cambridge Scholars Press, 2006. Pp. 158. £29.99/US-$59.99 Hb.Google Scholar
ANDRÉ, HELBOSignes du Spectacle: Des arts vivants aux medias. Bruxelles, Bern e.a.: P.I.E.-Peter Lang, 2006. Pp. 147. €19.95/£13.90/US-$23.95 Pb.Google Scholar
HISCHAK, THOMAS S., Enter the Playmakers: Directors and Choreographers on the New York Stage. Lanham, Toronto e.a.: Scarecrow, 2006. Pp. xii + 142. £25/ US-$45 Pb.Google Scholar
HOUPPERMANS, SJEF, ed., Présence de Samuel Beckett/Presence of Samuel Beckett: Colloque de Cerisy. Amsterdam/New York: Rodopi, 2006. Pp. 534. €107/US-$144 Hb.Google Scholar
JEFFREY, KAHANThe Cult of Kean. Aldershot: Ashgate, 2006. Pp. viii + 196 + illus. £50 Hb.Google Scholar
KATRITZKY, M A, The Art of Commedia: A Study in the Commedia dell'Arte 1560–1620 with Special Reference to the Visual Records. Amsterdam and New York: Rodopi, 2006. Pp. 348 + 340 illus. €180/US-$225 Hb.Google Scholar
JOZEFINA, KOMPORALYStaging Motherhood: British Women Playwrights, 1956 to the Present. Basingstoke: Palgrave Macmillan, 2006. Pp. xii + 208. £45 Hb.Google Scholar
CAROL, LANGLEYBeneath the Sequinned Surface: An Insight into Sydney Drag. Sydney: Currency, 2006. Pp. xii + 156 + illus. AUD$70 Pb.Google Scholar
ESTHER KIM, LEEA History of Asian American Theatre. Cambridge: Cambridge University Press, 2006. Pp. xviii + 264 + illus. £50/US-$90 Hb.Google Scholar
ROBERT, LIMAStages of Evil on the Western Stage. Lexington, KY: University Press of Kentucky, 2005. Pp. 329 + illus. US-$55 Hb.Google Scholar
LOEHLIN, JAMES, N., Chekhov: The Cherry Orchard (Plays in Production). Cambridge: Cambridge University Press, 2006. Pp. xii + 248. £15.99/US-$24.99 Pb.; £40/ US-$75 Hb.Google Scholar
MARY, LUCKHURST ed., A Companion to Modern British and Irish Drama, 1880– 2005.Oxford: Blackwell, 2006. Pp. xviii + 584. £85/US-$149.95 Hb.Google Scholar
CYNTHIA, MARSHMaxim Gorky: Russian Dramatist. Oxford, Bern, e.a.: Peter Lang, 2006. Pp. 382. sFR93//£42/US-$71.95 Pb.Google Scholar
KIM, MARRAStrange Duets: Impresarios and Actresses in the American Theatre, 1865–1914. Iowa City: University of Iowa Press, 2006. Pp. 352 + illus. US-$47.95 Hb.Google Scholar
SCOTT, MC MILLINThe Musical as Drama. Princeton: Princeon University Press, 2006. Pp. 248 + illus. US-$24.95/£15.95 Pb.Google Scholar
LURANA DONNELS, O'MALLEYThe Dramatic Works of Catherine the Great: Theatre and Politics in Eighteenth-Century Russia. Aldershot: Ashgate, 2006. Pp. xiv + 228 + illus. £50/US-$99.95 Hb.Google Scholar
DANIEL, O'QUINNStaging Governance: Theatrical Imperialism in London, 1770–1800. Baltimore: Johns Hopkins University Press, 2005. Pp. 412 + illus. US-$60 Hb.Google Scholar
KATHARINA, OTTO-BERNSTEINAbsolute Wilson: The Biography. Munich, Berlin e.a.: Prestel, 2006. Pp. 272 + illus. £45/ US-$75 Hb.Google Scholar
OZIEBLO, BARBARA and NARBONA-CARRIÓN, MARÍA DOLORES eds., Codifying the National Self: Spectators, Actors and the American Dramatic Text. Bruxelles, Bern e.a.: P.I.E.-Peter Lang, 2006. Pp. 299. €32.90/£23/US-$38.95 Pb.CrossRefGoogle Scholar
YVONNE, RAINERFeelings are Facts: A Life. Cambridge, Ma.: MIT Press, 2006. Pp. 504 + 143 illus. US-$37.95/£24.95 Hb.Google Scholar
ESTELLE, RIVIERL'espace scénographique dans les mises en scène des pièces de William Shakespeare au Vingtième Siècle. Bern e.a.: Peter Lang, 2006. Pp. Xiv + 407. SFR93/£42/US-$71.95 Pb.Google Scholar
PAM, SCHWEITZERReminiscence Theatre: Making Theatre from Memories. Foreword by Glenda Jackson, MP. London: Jessica Kingsley, 2006. Pp. 272 + illus. £19.99 Pb.Google Scholar
ALEKS, SIERZThe Theatre of Martin Crimp. London: Methuen, 2006. Pp. x + 276. £14.99 Pb.Google Scholar
ALYCIA, SMITH-HOWARDStudio Shakespeare: The Royal Shakespeare Company at The Other Place. Aldershot: Ashgate, 2006. Pp. xii + 180 + illus. £45 Hb.Google Scholar
PAUL, STEWARTZone of Evaporation: Samuel Beckett's Disjunctions. Amsterdam and New York: Rodopi, 2006. Pp. 212. €42/US-$ 55 Pb.Google Scholar
PETER, STONELEYA Queer History of the Ballet. Abingdon and New York: Routledge, 2006. Pp. 192. £17.99 Pb.; £55 Hb.Google Scholar
FRANCES, TEAGUEShakespeare and the American Popular Stage. Cambridge: Cambridge University Press, 2006. Pp. x + 222 +illus. £17.99/US-$29.99 Pb.; £48/US-$85Hb.Google Scholar
PETER, THOMSONThe Cambridge Introduction to English Theatre, 1660–1900. Cambridge: Cambridge University Press, 2006. Pp. xiv + 310 + illus. £14.99/US-$24.99 Pb.; £40/US-$75 Hb.Google Scholar
JOANNE, TOMPKINSUnsettling Space: Contestations in Contemporary Australian Theatre. Basingstoke: Palgrave Macmillan, 2006. Pp. xii + 204. £45Hb.Google Scholar
MANON, VAN DE WATERMoscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917–2000. Basingstoke: Palgrave Macmillan, 2006. Pp. xviii + 302 + illus. £47 Hb.Google Scholar
CHARLES, WHITNEYEarly Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006. Pp. xii + 342 + illus. £48/US-$85 Hb.Google Scholar
TOBY, WILSHERThe Mask Handbook. Abingdon and New York: Routledge, 2006. Pp. 144. £12.99 Pb.; £50 Hb.Google Scholar