Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-28T07:32:16.088Z Has data issue: false hasContentIssue false

Drama Etudes

A Pedagogical Experiment in China

Published online by Cambridge University Press:  01 June 2021

Abstract

Teaching theatre and drama in primary and secondary schools is a very difficult task worldwide. In China, there is a huge demand for drama teachers who also know practical theatre. Taking on this mission, the Shanghai Theatre Academy started a program of “drama etudes.” This pedagogical experiment stimulated debate about opposing concepts in theatre education: imitation vs. improvisation.

Type
Article
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

BWW News Desk. 2019. “Romantic Misadventures of Ah Q Is Opening Off-Broadway at Theatre Row.” Broadway World, 18 November. Accessed 19 January 2021. www.broadwayworld.com/off-broadway/article/ROMANTIC-MISADVENTURES-OF-AH-Q-is-Opening-Off-Broadway-at-Theatre-Row-20191118.Google Scholar
Xinghuang, Chen. 2016. “The Exploration of Arts Education by Taoxingzhi,” PhD Thesis, Shanghai Theatre Academy, Shanghai, China.Google Scholar
Duggan, Mary, and Grainger, Roger. 1997. Imagination, Identification and Catharsis in Theatre and Therapy. London: Jessica Kingsley Publishers.Google Scholar
Tian, Hao. 2018. “Teachers’ Demonstration and Students’ Presentation: On the Performance and Director Training of Primary and Secondary Schoolteachers—Examples from the Educational Play Homeland.” MFA thesis, Shanghai Theatre Academy, Shanghai, China.Google Scholar
Rongxin, Li, and Yue, Ma. 2018. “Bingchengqu Yifu Elementary School: Young Performers send Lvju to nursing home.” Binzhou Education, 8 January. Accessed 19 January 2021. www.binzhouw.com/app/detail/190/148230.html.Google Scholar
Cunfu, Lin. 2020. Personal interview with author, Shanghai, 5 June.Google Scholar
McCaslin, Nellie. 1990. Creative Drama in the Classroom, 5th ed. New York: Longman.Google Scholar
Ministry of Education, The People’s Republic of China. 2014. “Advice on Implementing School Arts Education.” MOE.gov, 14 January. Accessed 19 January 2021. www.moe.gov.cn/srcsite/A17/moe_794/moe_795/201401/t20140114_163173.html.Google Scholar
Yanzhen, Ren. 2018. Personal interview with author, Weifang, 25 August.Google Scholar
Schechner, Richard. 2013. Performance Studies: An Introduction, 3rd ed. London: Routledge.Google Scholar
Sun, William Huizhu. 2018a. Personal interview with author, Shanghai, 25 December.Google Scholar
Sun, William Huizhu. 2018b. Drama Etudes for the Classroom: training, scripts and acting. Shanghai: Shanghai Jiao Tong University Press.Google Scholar
Sun, William H., and Fei, Faye C.. 2014. “Social Performance Studies: A New PS School with Chinese Characteristics.” In Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century, ed. Citron, Atay, Aronson-Lehavi, Sharon, and Zerbib, David, 288300. London: Bloomsbury.Google Scholar
Agency, Xinhua News. 2020. “Guideline on Strengthening and Improving Aesthetic Education in Schools in the New Era.” www.gov.cn, 15 October. Accessed 19 January 2021. www.gov.cn/zhengce/2020-10/15/content_5551609.htm.Google Scholar
Jun, Xu. 2017. “Retrospection on the research of Drama in Education in Mainland China in recent 20 years.” Theatre Arts, 1:101–11.Google Scholar
Shufan, Zhang. 2016. “Drama Etudes: Ongoing Now.” New Script, 15 May.Google Scholar
Yin, Zhang. 2018. Personal interview with author, Weifang, 25 August.Google Scholar

TDReading

Ludden, Yawen. 2012. “Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture.” TDR 56, 2 (T214):152–68. https://doi-org/10.1162/DRAM_a_00172.CrossRefGoogle Scholar