Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-06T07:20:51.421Z Has data issue: false hasContentIssue false

Reclaiming the Past

On Lola Arias’s Theatre of Postmemory

Published online by Cambridge University Press:  01 September 2022

Abstract

Interweaving first-person narratives, archives, autobiography, film, and live music, Lola Arias shifts her audience’s attention towards the nature of memory, revealing the inadequacy of binaries such as fact and fiction, truth and imagination. Arias’s major works explore the construction of collective and personal memory in relation to the economic, social, cultural, and psychological influences of the military dictatorships on contemporary Argentinian and Chilean societies.

Type
Worlds of Directing Series
Copyright
© The Author(s) 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Arias, Lola. 2013. “Between Real and Fiction: A Pop-up Interview with Lola Arias.” Interview with Mi You, Münchner Kammerspiele, Relations Festival, 8 June. Video, 3:18. https://mkrelations.wordpress.com/2013/06/09/between-real-and-fiction-a-pop-up-interview-with-lola-arias/.Google Scholar
Arias, Lola, dir. 2018. Theatre of War.Gema Films.Google Scholar
Arias, Lola. 2019a. “Footnote.” In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 4145. Aberystwyth: Performance Research Books.Google Scholar
Arias, Lola. 2019b. “Melancholy and Demonstrations.” Trans. Tunnard, Daniel and Graham-Jones, Jean. In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 130–49. Aberystwyth: Performance Research Books.Google Scholar
Arias, Lola. 2019c. Minefield. Trans. Tunnard, Daniel and Graham-Jones, Jean. In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 256–91. Aberystwyth: Performance Research Books.Google Scholar
Arias, Lola. 2019d. My Life After. Trans. Tunnard, Daniel (rev. Jean Graham-Jones). In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 4676. Aberystwyth: Performance Research Books.Google Scholar
Arias, Lola, and Gough, Richard. 2019. “Raining in the Theatre: Lola Arias in Conversation with Richard Gough.” In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 303–23. Aberystwyth: Performance Research Books.Google Scholar
Barrientos, Claudio Javier. 2015. “Memory Policies in Chile, 1973–2010.” In The Struggle for Memory in Latin America: Recent History and Political Violence, ed. Allier-Montaño, Eugenia and Crenzel, Emilio, 5370. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Bither, Philip. 2019. “We Are All Writing the Novels of Our Lives: Lola Arias on War, Memory, and Documentary Theater.” Interview with Lola Arias, Fourth Wall Magazine, Walker Art Center, 25 January. https://walkerart.org/magazine/lola-arias-minefield-documentary-theater.Google Scholar
Brownell, Pamela. 2012. “Project Archivos: Documentary Theatre According to Vivi Tellas.” E-misférica 9, 12. https://hemi.nyu.edu/hemi/en/e-misferica-91.Google Scholar
Dávila, Jerry. 2013. Dictatorship in South America. Chichester: Wiley-Blackwell.Google Scholar
Esparza, Marcia, Huttenbach, Henry R., and Feierstein, Daniel. 2010. State Violence and Genocide in Latin America: The Cold War Years. London: Routledge.Google Scholar
Gardner, Lyn. 2016. “Minefield: The Falklands Drama Taking Veterans Back to the Battle.” The Guardian, 26 May. www.theguardian.com/stage/2016/may/26/minefield-falklands-theatre-veterans-battle.Google Scholar
Gatti, Gabriel. 2014. Surviving Forced Disappearance in Argentina and Uruguay: Identity and Meaning. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Grandin, Greg. 2010. “Living in Revolutionary Time: Coming to Terms with the Violence of Latin America’s Long Cold War.” In A Century of Revolution: Insurgent and Counterinsurgent Violence During Latin America’s Long Cold War, ed. Grandin, Greg and Gilbert, M. Joseph, 142. Durham, NC: Duke University Press.Google Scholar
Harvey, David. 2016. The Ways of the World. Oxford: Oxford University Press.Google Scholar
Hemer, Oscar. 2017. “Islands in Distress: Making Sense of the Malvinas/Falklands War.” In The Global South Atlantic, ed. Bystrom, Kerry and Joseph, R. Slaughter, 144–64. New York: Fordham University Press.CrossRefGoogle Scholar
Hirsch, Marianne. 2012. The Generation of Postmemory: Writing and Visual Culture After the Holocaust. New York: Columbia University Press.Google Scholar
Lauer, Alex. 2014. “Truth, Not Necessarily Reconciliation: Lola Arias Confronts Dictatorships.” Fourth Wall Magazine, Walker Art Center, 24 January. https://walkerart.org/magazine/lola-arias-dictatorships-chile-argentina.Google Scholar
Longoni, Ana. 2019. “A Flock of Birds.” In Lola Arias: Re-Enacting Life, ed. Graham-Jones, Jean, 150–55. Aberystwyth: Performance Research Books.Google Scholar
Martin, Carol. 2010. “Introduction: Dramaturgy of the Real.” In Dramaturgy of the Real on the World Stage, ed. Martin, Carol, 114. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Montez, Noe. 2012. “Autobiographical Memory, Museums, and Objectivity in Federico León’s Museo Miguel Ángel Boezzio .” In Public Theatres and Theatre Publics, ed. Robert, B. Shimko and Freeman, Sara, 120–31. Newcastle upon Tyne: Cambridge Scholars Publishing.Google Scholar
Montez, Noe. 2018. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina. Carbondale: Southern Illinois University Press.Google Scholar
Mouffe, Chantal. 2013. Agonistics: Thinking the World Politically. London: Verso.Google Scholar
Norton-Taylor, Richard. 2013. “Falklands War: New Study Debunks Claims of High Suicide Rates.” The Guardian, 14 May. www.theguardian.com/uk/defence-and-security-blog/2013/may/14/falklands-veterans-suicide-army.Google Scholar
Pauls, Alan. 2010. “Kidnapping Reality: An Interview with Vivi Tellas.” In Dramaturgy of the Real on the World Stage, ed. Martin, Carol, 246–58. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Pereira, Anthony W. 2005. Political (In)Justice: Authoritarianism and the Rule of Law in Brazil, Chile, and Argentina. Pittsburgh: University of Pittsburgh Press.CrossRefGoogle Scholar
Ros, Ana. 2012. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. London: Palgrave Macmillan.CrossRefGoogle Scholar
Schipani, Andres. 2007. “25 Years On, Falklands Vets Treated as Outcasts.” The Guardian, 20 January. www.theguardian.com/world/2007/jan/21/falklands.uk1.Google Scholar
Sitrin, Marina. 2006. Horizontalism: Voices of Popular Power in Argentina. Oakland, CA: AK Press.Google Scholar
Sitrin, Marina A. 2012. Everyday Revolutions: Horizontalism and Autonomy in Argentina. London: Zed Books.CrossRefGoogle Scholar
Sosa, Cecilia. 2011. “Lola Arias: Expanding the Real.” In No More Drama, ed. Crawley, Peter and White, Willie, 4657. Dublin: Project Press/Carysfort Press.Google Scholar
Sosa, Cecilia. 2014. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood. Woodbridge, Suffolk: Tamesis.Google Scholar
Taylor, Diana. 1997. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War.” Durham, NC: Duke University Press.CrossRefGoogle Scholar
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.Google Scholar
Werth, Brenda. 2010. Theater, Performance, and Memory Politics in Argentina. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Werth, Brenda. 2013. “A Malvinas Veteran Onstage: From Intimate Testimony to Public Memorialization.” South Central Review 30, 3:83100. www.jstor.org/stable/44016846.CrossRefGoogle Scholar

TDReadings

Kalawski, Andrés and Opazo, Cristián. 2021. “Prophesizing the End of Theatre: La Laura Palmer’s Animales invisibles .” TDR 65, 3 (T251):149–56. doi.org/10.1017/S105420432100037X CrossRefGoogle Scholar
Martin, Carol. 2006. “Bodies of Evidence.” TDR 50, 3 (T191):815. doi.org/10.1162/dram.2006.50.3.8 CrossRefGoogle Scholar
Steuernagel, Marcos. 2017. “Here We Are Again: Performing the Temporality of the Brazilian Transition.” TDR 61, 4 (T236):921. doi.org/10.1162/DRAM_a_00712 CrossRefGoogle Scholar