Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-24T12:03:48.885Z Has data issue: false hasContentIssue false

Quangang Hokkien Opera

Development by the People

Published online by Cambridge University Press:  01 June 2021

Abstract

More than 80% of Chinese opera performances today are presented by privately run professional folk troupes, mostly in rural areas—Chinese theatre’s best kept secret. These performances are rarely noticed by Chinese theatre scholars. There are more than 30 such troupes in Quangang District, Fujian province, which has a population of 300,000.

Type
Article
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Shixiong, Chen, and Huiying, Wu. 2005. 咸水腔”歌仔戏的历史与现状 [Xianshui Style Hokkien Opera: Then and Now]. In Proceedings of the Academic Conference at the Hokkien Opera Festival Across Taiwan Strait, ed. Organizing Committee of Cross-Strait Gezai Opera Art Festival, 180202. Xiamen: Xiamen University Press.Google Scholar
Jiahui, Huang. 2020. Telephone interview, 16 November.Google Scholar
Sun, William Huizhu. 2021. “The Theatre of Purgation and the Theatre of Cultivation: A Comparative Study of Theatre and Culture from a Chinese Perspective.” TDR 65, 2 (T250):828.Google Scholar
Qingfeng, Zhuang, and Xiali, Zhuang. 2020. Personal interview with author, Quangang, 9 November.Google Scholar
Yuzong, Zhuang. 2010. “The Practice and Consideration of Hokkien Opera in the Villages of South Fujian.” Unpublished manuscript.Google Scholar

TDReadings

Chang, Belinda. 1997. “A Theatre of Taiwaneseness: Politics, Ideologies, and Gezaixi.” TDR 41, 2 (T158): 111–29. https://doi-org/10.2307/1146628.CrossRefGoogle Scholar
Quintero, Craig. 2002. “Pilgrimage as a Pedagogical Practice in Contemporary Taiwanese Theatre: U Theatre and the Baishatun Ma-tsu Pilgrimage.” TDR 46, 1 (T173):131–48. https://doi-org/10.1162 /105420402753555903.CrossRefGoogle Scholar