Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-28T04:59:47.919Z Has data issue: false hasContentIssue false

Studio Scarabee's Havana JoJo

Published online by Cambridge University Press:  07 December 2021

Extract

Studio Scarabee was founded in 1965 when Adri Boon, a painter, presented a series of happening-related art performances at the Hague Art Circle. Since then, the activities of the Dutch group have been characterized by an extensive investigation of the possibilities in mixing different mediums. As a brochure of the Studio points out, Scarabee seeks to practice a form of total theatre in the tradition of Schlemmer and Moholy-Nagy, using techniques resembling those employed by Josef Svoboda. Havana JoJo, Scarabee's latest work, which was presented at The New Theatre Festival in Baltimore, incorporates many of the techniques and themes developed by the studio over the years. Popular culture is the basic source of the subject matter; elements of shock, violence and sado-masochism are parodied; transvestism is displayed (in the form of a fire-eating female impersonator); camp humor abounds; dadaist and surrealist principles of association between the elements are strong.

Type
The New Theatre Festival
Copyright
Copyright © 1977 The Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)