Bunraku puppets are up to three feet tall. They are little men or women with mobile limbs, hands, and mouths; each puppet is moved by three visible men, who surround it, support it, accompany it. The master puppeteer controls the puppet's upper body and right arm; his face is uncovered, smooth, light, impassive, cold as “a white onion which has just been washed” (Basho). His two assistants are dressed in black; cloths cover their faces. One, gloved but with his thumb left uncovered, holds a large, stringed, scissors-like extension, with which he moves the puppet's left arm and hand; the other, crouching, supports the puppet's body and steadies its course. These men move along a shallow trench, which leaves their bodies visible. The scenery is behind them, as in the theatre. On a platform to one side are the musicians and narrators; their role is to express the text (the way one squeezes a fruit).