Nothing tastes staler than the revolutions of the day before yesterday; the bitter flavor of great expectations disappointed clings to them; they make us feel superior for having seen through their ridiculous pretensions and sorry for our. fathers and grandfathers for having been taken in by them. That Naturalism in the novel and in the theatre still leaves such an aftertaste on our own palates is, in a way, a tribute to the intensity of emotion it aroused in its day and the length of time during which it acquired and held a dominant position. After all: it was in the 1870's that Zola shocked the world with his new concept of Naturalism; Ibsen's Ghosts was first published in 1881; Strindberg's Father in 1887, Miss Julie in 1888; Hauptmann's Before Sunrise had its first performance in 1889; Chekhov's Seagull in 1896.