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Training does not teach how to act, how to be clever, does not prepare one for creation. Training is a process of self-definition, a process of self-discipline which manifests itself indissolubly through physical reactions. It is not the exercise in itself that counts—for example, bending or somersaults—but the individual's justification for his own work, a justification which although perhaps banal or difficult to explain through words, is physiologically perceptible, evident to the observer. This approach, this personal justification decides the meaning of the training, the surpassing of the particular exercises which, in reality, are stereotyped gymnastic movements.
This inner necessity determines the quality of the energy which allows work without a pause, without noticing tiredness, continuing even when exhausted and at that very moment going forward without surrendering.
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- Copyright © 1972 The Drama Review
References
* This article is based in part on an interview that Eugenio Barba had with Ferruccio Marotti of the RAI (Italian Radio and Television) during the Odin Teatret's performances of “Ferai” at the Venice Biennale in September, 1969. The article forms part of a book in preparation about the Odin Teatret's work in Denmark. © 1972 by Eugenio Barba. All rights reserved.
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