Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-09T08:22:56.092Z Has data issue: false hasContentIssue false

Theatre in the Corridor: E.F. Burian's Production of Alladine and Palomides

Published online by Cambridge University Press:  28 January 2022

Extract

“Theatre in the Corridor” was written, in Czech, in December 1939; that explains why the first paragraph sounds rather anachronistic. It has remained unpublished for nearly forty years.

This was my third attempt to write a theoretical paper, after “Man and Object in the Theatre,” published in 1940 (English translation in: Paul L. Garvin, ed., A Prague School Reader on Esthetics, Literary Structure, and Style, Washington, D.C., 1964) and “Mácha's Conception of the World,” published the same year.

My approach followed the general theory of the Prague Linguistic Circle, focusing on the concepts of structure and sign. But I was much more influenced by the Prague School's poetics, linguistics, and general esthetics than by its sporadic studies about the theatre, which I found somewhat loose in their reasoning.

Type
Semiotic Analysis Section
Copyright
Copyright © 1979 The Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)