Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-07T21:16:22.039Z Has data issue: false hasContentIssue false
  • English
  • Français

Sources in Popular Entertainment

Published online by Cambridge University Press:  07 December 2021

John Towsen
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reference
Information
The Drama Review , Volume 18 , Issue 1: Popular Entertainments , March 1974 , pp. 118 - 122
Copyright
Copyright © 1974 The Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Amon Carter Museum of Western Art. The Wild West, or, A History of the Wild West Shows. Fort Worth: Amon Carter Museum of Western Art, 1970.Google Scholar
Barnum, Phineas Taylor. The Humbugs of the World. 1865. Reprinted, Detroit: Singing Tree Press, 1970.Google Scholar
Barnum, Phineas Taylor. Struggles and Triumphs. 1869. Reprinted, New York: Arno Press, 1970.Google Scholar
Beaumont, Cyril W. The History of Harlequin. 1926. Reprinted, New York: Blom, 1967.Google Scholar
Blesch, Rudi. Keaton. New York: Macmillan, 1966.Google Scholar
Bodin, Walter and Hershey, Bernett. The World of Midgets. London: Jarrolds Publishers, 1935.Google Scholar
Booth, Michael R. English Melodrama. London: Jenkins, 1965.Google Scholar
Braithwaite, David. Fairground Architecture. New York: Praeger, 1968.Google Scholar
Broadbent, R. J. A History of Pantomime. 1901. Reprinted, New York: Blom, 1964.Google Scholar
Cannell, J.C. The Secrets of Houdini. 1931. Reprinted, Ann Arbor: Gryphon Books, 1971.Google Scholar
Ceram, C.W. Archaeology of the Cinema. New York: Harcourt, Brace & World, 1965.Google Scholar
Cézan, Claude. léMusee Crevin. Paris: Editions privat, 1954.Google Scholar
Chancellor, Edwin Beresford. The Pleasure Haunts of London During Four Centuries. 1925. Reprinted, New York: Blom, 1969.Google Scholar
Chaplin, Charles. My Autobiography. New York: Simon & Schuster, 1964.Google Scholar
Chapuis, Alfred and Droz, Edmund. Automata. London: Batsford, 1958.Google Scholar
Charters, Ann. Nobody: TheStory of Bert Williams. London: Macmillan & Co., 1970.Google Scholar
Chevalier, Denys. Métaphysique duStrip-Tease. Paris: Jean-Jacques Pauvert, 1961.Google Scholar
Chindahl, George. A History of the Circus in America. Caldwell, Idaho: Caxton, 1959.Google Scholar
Clair, Colin, Human Curiosities. London: Colin Clair, 1968.Google Scholar
Clarke, Norman. The Mighty Hippodrome. New York: A. S. Barnes, 1968.Google Scholar
Clarke, Sidney W. The Annals of Conjuring. London: George Johnson, 1929.Google Scholar
Cook, Olive. Movement in Two Dimensions. London: Hutchinson, 1963.Google Scholar
Corio, Ann. This Was Burlesque. New York: Madison Square Press, 1968.Google Scholar
Cox, Harvey G.The feast of Fools. Cambridge: Harvard University Press, 1969.CrossRefGoogle Scholar
Croft-Cooke, Rupert. The Sawdust Ring. London: Odhams Press, 1951.Google Scholar
Daguerre, Louis J. M. An Historical and Descriptive Account of the Various Processes of the Daguerreotype and the Diorama. 1839. Reprinted, London: Kraus Reprint, 1969.Google Scholar
Delgado, Alan. Victorian Entertainment. New York: American Heritage Press, 1971.Google Scholar
Deonna, W. leSymbolisme de l'Acrobatie Antique. Brussels: Revue d'Etudes Latines, 1953.Google Scholar
Deryal, Paul. Folies-Bergère. New York: E. P. Dutton, 1955.Google Scholar
Dickens, Charles. The Dickens Theatrical Reader. Boston: Little, Brown & Co., 1964.Google Scholar
Dickens, Charles. and Findlater, Richard. Memoirs of Joseph Crimaldi. New York: Stein and Day, 1968.Google Scholar
Disher, Maurice Willson. Blood and Thunder: Mid-Victorian Melodrama and its Origins. London: Muller, 1949.Google Scholar
Disher, Maurice Willson. Clowns and Pantomimes. 1925. Reprinted, New York: Blom, 1968.Google Scholar
Disher, Maurice Willson. Greatest Show on Earth. London: G. Bell & Sons, 1937.Google Scholar
Disher, Maurice Willson. Music Hall Parade. New York: Scribner's, 1938.Google Scholar
SirDrake, H. G. Trywhitt. The English Circus and Fairground. London: Metheun, 1946.Google Scholar
Ducharte, Pierre Louis. The Italian Comedy. 1929. Reprinted, New York: Dover, 1965.Google Scholar
Efimova, Nina. Adventures of a Russian Puppet Theatre. Birmingham, Mich.: Puppetry Imprints, 1935.Google Scholar
Frost, Thomas. Circus Life and Circus Celebrities. 1875. Reprinted, Detroit: Singing Tree Press, 1970.Google Scholar
Frost, Thomas. The Lives of the Conjurers. 1881. Reprinted, Detroit: Singing Tree Press, 1970.Google Scholar
Frost, Thomas. The Old Showmen and the Old London Fairs. 1881. Reprinted, Ann Arbor: Gryphon Books, 1971.Google Scholar
Gilbert, Douglas. American Vaudeville. New York: Dover, 1953.Google Scholar
Goldoni, Carlo. Memoirs of Carlo Coldoni. New York: Knopf, 1926.Google Scholar
Goodlad, J.S. A Sociology of Popular Drama. Totowa, New Jersey: Rowman and Littlefield, 1972.Google Scholar
Gorham, Maurice. Showmen and Suckers. London: Percival Marshall, 1951.Google Scholar
Green, Abel and Laurie, Joe. Show Biz From Vaude to Video. New York: Holt & Co., 1951.Google Scholar
Gresham, William Lindsay. Monster Midway. New York: Rinehart and Co., 1948.Google Scholar
Grimstead, David. Melodrama Unveiled. Chicago: Univ. of Chicago Press, 1968.Google Scholar
Harris, Leon. the Moscow Circus School. New York: Atheneum, 1970.Google Scholar
Hediger, Heinrich. Studies of the Psychology and Behavior of Captive Animals in Zoos and Circuses. London: Butterworth Scientific Publications, 1955.Google Scholar
Hippisley Coxe, Antony D. A Seat at the Circus. London: Evans Brothers, 1951.Google Scholar
Hoyt, Harlowe. Town Hall Tonight. New York: Bramhall House, 1955.Google Scholar
Hughes, Langston and Meltzer, Milton. Black Magic: A Pictorial History of the Negro in American Entertainment. Englewood Cliffs, N.J.: Prentice-Hall, 1967.Google Scholar
Isman, Felix. Weber and Fields. New York: Boni and Liveright, 1924.Google Scholar
Jennings, John J. Theatrical and Circus Life. St. Louis: Herbert & Cole, 1882.Google Scholar
Keith, Charles. Circus Life and Amusements. Derby|England: Bewley & Roe, 1879.Google Scholar
Kelley, Thomas. The Fabulous Kelley: He Was King of the Medicine Men. New York: Pocket Books, 1968.Google Scholar
Kennedy, David. Entertainment. London: Batsford, 1969.Google Scholar
Lahr, John. Notes on a Cowardly Lion: The Biography of Bert Lahr. New York: Knopf, 1969.Google Scholar
Lane, Lupino. How to Become a Comedian. London: F. Muller, 1945.Google Scholar
Laurie, Joe. Vaudeville: From the Honky Tonks to the Palace. New York: Holt & Co., 1953.Google Scholar
Lea, Kathleen. Italian Popular Comedy. 1934. Reprinted, New York:Russell & Russell, 1962.Google Scholar
Lewis, Arthur. Carnival. New York: Trident Press, 1970.Google Scholar
Lipovsky, Alexander (ed.).The Soviet Circus. Moscow: Progress Publishers, 1967.Google Scholar
Lloyd, Harold. An American Comedy. 1928. Reprinted, New York: Dover, 1971.Google Scholar
MacLaren, Gay. Morally We Roll Along. Boston: Little, Brown, and Co., 1938.Google Scholar
McKechnie, Samuel. Popular Entertainments Through the Ages. 1931. Reprinted, New York: Blom, 1969.Google Scholar
McKennon, Joe. A Pictorial History of the American Carnival. Bowling Green, Ohio: Popular Press, 1972.Google Scholar
McLean, Albert. American Vaudeville as Ritual. Lexington: Univ. of Kentucky Press, 1965.Google Scholar
McNeal, Violet. Four White Horses and a Brass Band. Garden City, New York:Doubleday, 1947.Google Scholar
McPharlin, Paul. The Puppet Theatre in America. Boston: Plays, Inc., 1969.Google Scholar
Mangels, William F.The Outdoor Entertainment Business. New York: Vantage Press, 1952.Google Scholar
Mannix, Dan. Step Right Up. New York: Harper and Brothers, 1950.Google Scholar
Maskelyne, Nevil and Devant, David. Our Magic. Second Edition. Berkeley Heights, New Jersey: Fleming Book Co., 1946.Google Scholar
Matthews, Brander. A Book About the Theatre. New York: Scribner's, 1916.Google Scholar
Mayhew, Henry. London Labour and the London Poor. 1862. Reprinted, New York: Dover, 1968.Google Scholar
Morley, Henry. Memories of Bartholomew Fair. 1859. Reprinted, Detroit: Singing Tree Press, 1969.Google Scholar
Nathan, George Jean. The Popular Theatre. New York: Alfred Knopf, 1918.Google Scholar
Nelms, Henning. Magic and Showmanship. New York: Dover,1969.Google Scholar
Nicoll, Allardyce. Masks, Mimes and Miracles. New York: Cooper Square, 1963.Google Scholar
Nicoll, Allardyce. The World of Harlequin. London: Cambridge University Press, 1963.Google Scholar
Nye, Russel B. The Unembarrassed Muse: The Popular Arts in America. New York: Dial Press, 1970.Google Scholar
pond, Irving. Big Top Rhythms. New York: Willet, Clark & Co., 1937.Google Scholar
Rahill, Frank. The World of Melodrama. University Park: Pennsylvania State University Press, 1967.Google Scholar
Rémy, Tristan. Les Clowns. Paris: Grasset, 1945.Google Scholar
San Francisco Mime Troupe, Inc. Guerrilla Theatre Essays: I. San Francisco: San Francisco Mime Troupe (450 Alabama St.), 1970.Google Scholar
Sand, Maurice. The History of the Harlequinade. Two volumes. 1915. Reprinted, New York: Blom, 1967.Google Scholar
Sanger, , “Lord” George, . Seventy Vears a Showman. New York: E. P. Dutton, 1926.Google Scholar
Saxon, A. H. Enter Foot and Horse: A History of Hippodrama in England and France. New Haven: Yale University Press, 1968.Google Scholar
Schaffner, Neil. The Fabulous Toby and Me. Englewood Cliffs, N.J.: Prentice-Hall, 1968.Google Scholar
Scott, Marian. Chautauqua Caravan. New York: Appleton-Century, 1939.Google Scholar
Seldes, Gilbert. The Seven Lively Arts. 1924. Reprinted, Cranbury, N.J.: A. S. Barnes, 1962.Google Scholar
Slout, William. Theatre in a Tent. Bowling Green, Ohio: Popular Press, 1972.Google Scholar
Sobel, Bernard. A Pictorial History of Burlesque. New York: Bonanza, 195.Google Scholar
Speaight, George. The History of the English Puppet Theatre. London: G. Harrap, 1955.Google Scholar
Spicer, Dorothy. The Book of Festivals. 1937. Reprinted, Detroit: Gale Research Company, 1969.CrossRefGoogle Scholar
Stahle, LeRoy. The Amateur Revue and Vaudeville Stunt Book. Minneapolis: Northwestern Press, 1937.Google Scholar
Strehly, . L'Acrobatie etles Acrobates. Paris: Delagrave, 1903.Google Scholar
Strutt, Joseph. The Sports and Pastimes of the People of England. 1876. Reprinted, Detroit: Singing Tree Press, 1968.Google Scholar
Tarbell, Harlan. The Tarbell Course in Magic. New York: Tannen, 1921, 1973.Google Scholar
Theatre Quarterly. Vol. 1, No. 4 (Oct.-Dec, 1971).Google Scholar
Thétard, Henri. LaMerveilleuseHistoire duCirque. Paris: Prisma, 1947.Google Scholar
Tussaud, John. The Romance of Madame Tussaud's. London: Odhams Press, 1919.Google Scholar
Vardac, A. Nichols. Stage to Screen. Cambridge: Harvard University Press, 1949.Google Scholar
Walford, Cornelius. Fairs Past and Present. 1883. Reprinted, New York: A. M. Kelley, 1968.Google Scholar
Wilson, A. E. KingPanto: The Story of Pantomime. New York: E. P. Dutton, 1935.Google Scholar
Winter, Marian H. The Theatre of Marvels. New York: Blom, 1964.Google Scholar
Wise, Arthur and Ware, David. Stunting in the Cinema. New York: St. Martin's Press, 1973.Google Scholar
Wittke, Carl. Tambo and Bones: A History of the American Minstrel Stage. 1930. Reprinted, Westport,Conn.: Greenwood Press, 1968.Google Scholar
Zeidman, Irving. The American Burlesque Show. New York: Books, Inc., 1967.Google Scholar
Welsford, Enid. The Fool: His Social and Literary History. London: Faber & Faber, 1935.Google Scholar
Werner, M. R. Barnum. Garden City, New York: Garden City Publishing Company, 1927.Google Scholar
Willeford, William. The Fool and His Scepter. Eyanston, ML: Northwestern University Press, 1969.Google Scholar
Wilson, A. E. KingPanto: The Story of Pantomime. New York: E. P. Dutton, 1935.Google Scholar
Winter, Marian H. The Theatre of Marvels. New York: Blom, 1964.Google Scholar
Wise, Arthur and Ware, David. Stunting in the Cinema. New York: St. Martin's Press, 1973.Google Scholar
Wittke, Carl. Tambo and Bones: A History of the American Minstrel Stage. 1930. Reprinted, Westport,Conn.: Greenwood Press, 1968.Google Scholar
Zeidman, Irving. The American Burlesque Show. New York: Books, Inc., 1967.Google Scholar