Research Article
Re-Construction: Cage and Schoenberg
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- 04 January 2006, pp. 2-14
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Structural Imagery: ‘Pierrot lunaire’ Revisited
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- 22 June 2006, pp. 2-22
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Cornelius Cardew's ‘Autumn '60 For Orchestra’
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- 02 October 2006, pp. 2-7
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Stepping Out: Maxwell Davies’s ‘Salome’ as a Transitional Work
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- 23 March 2006, pp. 2-12
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Morton Feldman in Interview 1966
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- 04 January 2006, pp. 15-20
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Improvising Their Future: Shamanic Hope In Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen
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- 22 June 2006, pp. 24-32
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More Heat, More Light: Christopher Fox in Conversation
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- 23 March 2006, pp. 13-19
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‘Disparagement and Invidious Comparisons’? Assessing Critical Reactions to Mathias's First Symphony
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- 02 October 2006, pp. 8-14
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‘Peter Grimes’ and Leonard Bernstein: An English Fisherman and His Influence on An American Eclectic
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- 04 January 2006, pp. 22-30
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The Fioriture Concept and Stylistic Development in the Music of Karl-Birger Blomdahl
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- 23 March 2006, pp. 21-33
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‘Linking’ and ‘Morphing’: Harmonic Flow in Elliott Carter's ‘Con Leggerezza Pensosa’
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- 22 June 2006, pp. 33-43
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Music as Transition: An Interview with Philip Grange
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- 02 October 2006, pp. 15-22
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CD Reviews
Tristain Murail’s complete piano music
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- 04 January 2006, pp. 32-33
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Research Article
Excursus: ‘Nedej Zahynouti Nam Ni Budoucim, Svatý Václave’ (Klein, Ullmann, and Others in Terezin)
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- 23 March 2006, pp. 34-46
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The Added Introduction to Spinner's ‘Ricercata’ for Orchestra
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- 02 October 2006, pp. 24-34
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New Light On Holst and Friends: Manuscript Discoveries at St Paul's Girls' School
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- 22 June 2006, pp. 44-58
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CD Reviews
Elliott Carter Cello Concerto & Dialogues
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- 22 June 2006, p. 60
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Ferneyhough's ‘Shadowtime’
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- 02 October 2006, pp. 35-36
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Richard Rodney Bennett’s ‘The Mines of Sulphur’
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- 04 January 2006, pp. 33-34
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First Performances
Tallinn, Paide, Rakvere: Estonian Dreams
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- 23 March 2006, pp. 48-49
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