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Published online by Cambridge University Press: 07 September 2015
1 Published by Routledge and Kegan Paul 1955, republished by Birlinn, Edinburgh 2014.
2 Pibroch, or Ceòl Mòr (literally the ‘great music’) of the Highland bagpipes, utilises a densely sophisticated system of ornamentation to decorate a basic theme, or urlar, creating a complex series of variations.
3 In his preface to the score Le Festin d'Alkan, Stevenson writes that ‘[this piece] encapsulates my aesthetic conviction that free composition, free transcription and free variation (the forms of my three movements in order of performance) are all essentially the same thing’.