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Published online by Cambridge University Press: 02 July 2015
Henri Dutilleux was a unique musical figure of the twentieth and twenty-first centuries. His music is defined by his great sense of lyricism and meticulous control, which, over his life as a composer, had undergone much thought and a gradual sense of change. He inevitably acquired a wide mix of contemporary influences, which added to his poetic vision. Dutilleux's music appears to be a sophisticated understatement, yet at the same time there is an expressive depth and mystery that sets his music apart from any one musical movement or group of his time.
1 Hyslop, Lois Boe, Baudelaire, Man of his Time (New Haven: Yale University Press, 1980), p. 4Google Scholar.
2 Duvivier, M. A., Liste des élèves de l'ancienne école académique et de l’école des Beaux-Arts, qui ont remporté les grands prix, Archives de l'art français 1857–1858, p. 273Google Scholar
3 Potter, Caroline, Henri Dutilleux (Aldershot: Ashgate, 1997), p. 3Google Scholar.
4 Chassain-Dolliou, Laetitia, Le Conservatoire de Paris ou les voies de la création (Paris: Découvertes Gallimard, 1995), pp. 66–7Google Scholar.
5 Nichols, Roger, trans., Henri Dutilleux: Music - Mystery and Memory Conversations with Claude Glayman (Aldershot: Ashgate, 2003), p. 24Google Scholar.
6 Paul Wittgenstein commissioned several pieces for the left hand and orchestra including Prokofiev's Fourth Piano Concerto, opus 53 (1931), which he never performed and Britten's Diversions for Piano Left Hand and Orchestra (1940) from Piano Music for the Left Hand. See www.limelightmagazine.com.au/Article/375711,paul-wittgenstein-the-man-with-the-golden-arm.aspx (accessed 22 March 2015).
7 See Dumesnil, René, La musique en France entre les deux guerres, 1919–1939 (Geneva: Éditions du Miliu du momd, 1946)Google Scholar and Pasler, Jann, ‘Paris, VII’, in The New Grove Dictionary of Music and Musicians, second edition, ed. Sadie, Stanley and Tyrell, John (London: Macmillan, 2001), vol. 19, pp. 118–19Google Scholar.
8 Potter, Henri Dutilleux, pp. 30–31.
9 Mary Garden (1874–1967) was a Scottish-American operatic soprano with a substantial career in France and America.
10 Cited in Dutilleux's programme note for Erato 4509-91721-2 (1994).