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Published online by Cambridge University Press: 28 September 2016
Today I know what I want to say, but on the other hand I am a little uncertain about how to approach it because some of the material is, shall we say, ‘delicate’. So excuse me for using Bob Gilmore as a way in, a role I think he would have relished.
The Dreamer that Remains: A Portrait of Harry Partch, directed by Stephen Pouliot; Macmillan Films 1974. Pouliot's title is taken from Laurens van der Post's book about the Kalahari bushmen, The Lost World of the Kalahari (Hogarth Press, London 1958); van der Post in turn is quoting a couplet from a poem by the South African poet Roy Campbell which he uses on the title page. The whole couplet runs: ‘Pass World!: I am the dreamer that remains;/The man clear cut against the horizon’.
2 John Croft, ‘Philosophy by other means’, Brunel Music Research Seminar, 28 October 2015.
3 Sontag, Susan, ‘One culture, One sensibility’, in Against Interpretation (London: Penguin, 1961), p. 296Google Scholar.
4 Fox, Christopher, ‘Falling in Love Again’, TEMPO 69:273 (2014), pp.30–32 CrossRefGoogle Scholar.
5 Partch, Harry, Genesis of a Music, 2nd edition (New York: Da Capo Press, 1974), p. 4Google Scholar.
6 Tom Service, ‘Where have all the Seismic moments gone?’ BBC Radio 3 Essay, broadcast 8 January 2016.
7 ‘The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth’ (John 3:8).